Monday, 30 April 2012

Cromwell as the Dialectical Figure of Transition: A Marxist Reading of Ian Gentles’ Oliver Cromwell: God’s Warrior and the English Revolution

Oliver Cromwell's role in the English Revolution remains debated among historians. Traditional Whig views see him as a champion of constitutional liberty, while revisionists portray him as a political opportunist or a provincial gentleman made prominent by chance. Post-revisionists try to combine these perspectives but often overlook the social aspects of the revolution. Gentles’ biography notes that the revolution gradually shifted England from feudalism to capitalism and that Cromwell was influential in this change. A Marxist interpretation thus focuses less on Cromwell’s personal traits or military skill and more on the societal and class forces that drove his rise to power.

Cromwell’s class position and the crisis of the 1640s

Cromwell’s rise is closely linked to the gradual decline of feudal systems and the emergence of commercial and agrarian capitalism. His economic actions, as documented by Gentles, show he was a provincial gentleman whose wealth depended on expanding commercial agriculture and credit. Gentles highlights that Cromwell frequently cancelled debts and even funded military campaigns, including the Irish campaign, using his own money. These acts are not typical of a feudal lord defending inherited privileges, but rather reflect the political investments of a social group confident that dismantling the old order would protect its material interests.

Cromwell’s religiosity, often seen as central to his character, should be viewed as the ideological expression through which this class interpreted its rise. His beliefs in providence, moral discipline, and the emphasis on “liberty of conscience” reflected the worldview of a social group striving for freedom from monarchical and episcopal control, while reinforcing the importance of property, contracts, and labour discipline. In this context, religion isn't separate from class analysis but serves as its cultural manifestation.

However, Cromwell’s importance extends beyond mere class standing. In Marxist terms, he embodies a historical tendency, serving as the agent through which the emerging bourgeoisie operates. Cromwell was not the author of the revolution but its instrument; not the creator of capitalism but its midwife. His role is intrinsically linked to the revolutionary process itself.

The New Model Army and the dialectic of revolution

The New Model Army represented the most advanced form of the revolutionary movement, uniting middle-class interests, artisans, small producers, and the lower gentry into a disciplined, ideologically driven force capable of overthrowing the feudal state's military power. Cromwell’s leadership was not coincidental; his social background allowed him to bridge the Army’s radical democratic elements—such as the Levellers and soldiers’ councils—and its conservative, property-protecting factions, including the officer corps and Parliamentarians.

Cromwell’s suppression of Leveller mutinies, often seen as hypocrisy or betrayal, was actually a vital move by a bourgeois revolutionary. The revolution needed to rally the lower classes to overthrow the old order, yet also had to contain them once their demands risked surpassing bourgeois property limits. This dialectic — unleash, then restrain — is not a personal contradiction but the structural logic of bourgeois revolution itself.

This pattern is not exclusive to England. Every bourgeois revolution involves forces whose goals go beyond bourgeois boundaries: such as the sans-culottes in France, the radical democrats of 1848, and the workers’ councils in Russia before October. Therefore, the English Revolution exemplifies a universal pattern: bourgeois revolutions are driven to rally the masses to overthrow feudalism and later suppress them when they endanger property.

The Protectorate and the formation of a bourgeois state

The Protectorate (1653–58) marks the first sustained effort to establish a modern state in England. Its key reforms—centralised taxation, a professional military, cautious religious tolerance, and expanded overseas trade—indicate the development of a proto-capitalist state. Cromwell’s government was neither a return to feudal rule nor simply a military dictatorship; it was an early form of the bourgeois state, working to stabilise revolutionary gains while suppressing radical movements.

The period's administrative innovations—such as centralised taxation, county committees, a professional standing army, and a unified national bureaucracy—embody the nascent modern state in institutional terms. These changes were driven not by Cromwell’s personal preferences but by the structural needs of a society shifting toward capitalist relations. The old feudal state, characterised by decentralised authority, personal loyalties, and fiscal disarray, failed to meet the demands of expanding trade, colonial ambitions, or the political ambitions of the middle classes. Despite its instability, Cromwell's regime signified the new principles of state power: rationalisation, centralisation, and the reduction of local and aristocratic independence in favour of a national authority.

The phrase “godly reformation” provided the moral language used to justify these changes — shaping how labour was regulated, social life was disciplined, and hierarchical structures that supported capitalist ties were reinforced. It is no coincidence that during this same era, there was a rise in labour discipline, moral policing, and social regulation. These practices embody the cultural expressions of a new economic system.

The Protectorate’s shifting between parliamentary governance and military rule exposes a fundamental contradiction of the English Revolution. While it dismantled the old feudal order, it failed to establish a stable new system. The bourgeoisie was powerful enough to overthrow feudalism but remained too weak to govern directly. Therefore, Cromwell’s authoritarian approach is not a mistake but a reflection of the revolution’s ongoing unfinished process.

Revolution, counter‑revolution, and the limits of bourgeois agency

Cromwell’s career highlights the inherent contradictions of bourgeois revolution. While he dismantled the old order, he struggled to build a stable new system. He rallied radical groups but ended up suppressing them. He promoted liberty of conscience yet enforced political authoritarianism. These paradoxes are not due to personal flaws but stem from the structural ambivalence of a class that is revolutionary in fighting feudalism but conservative in defending property.

The suppression of the Levellers, the dissolution of the Rump, and the imposition of the Major-Generals were not deviations from Cromwell’s ideals; rather, they were necessary actions by a class that needed popular support to win the revolution but was wary of the social aftermath of its success. The bourgeoisie could not permit the Army's democratic aims or the sectaries' radicalism to overhaul the social order beyond property and hierarchy. Cromwell’s authoritarian approach was, in this perspective, not a betrayal but an extension of the revolution — the point at which the revolutionary fervour of the lower classes was restrained to preserve the emerging capitalist structure. This is Cromwell’s tragedy: he embodies a revolutionary class only in destroying feudalism, not in creating a new social order. He carries history forward while being crushed by its contradictions.

Ireland and the colonial dimension of bourgeois revolution

The English Revolution was more than a domestic event; its influence extended to Ireland, Scotland, and the Atlantic. Cromwell’s Irish campaign, often seen as a moral failure or tragic excess, should be viewed as a key part of capitalist imperialism, not a deviation from it. Gentles highlights that Cromwell’s anti-Catholic stance was shared by the emerging bourgeoisie of the time, and his actions in Ireland helped shape Irish nationalism later on. The broader importance of the campaign lies in how it facilitated violent land reforms, the creation of a Protestant settler community, and Ireland’s integration into England’s economic system.

The massacres at Drogheda and Wexford were not mere anomalies; they served as terroristic means to enforce a new property system. The plantation approach, redistribution of seized lands, and suppression of Catholic political influence were crucial in establishing a capitalist agrarian economy in Ireland. Cromwell’s acts of imperial violence highlight the global scope of the bourgeois revolution, linking the strengthening of capitalist relations domestically with colonial control overseas. Ireland thus became a testing ground for colonial dominance, where religious ideology justified the brutal enforcement of a new economic structure.

Cromwell’s historical legacy: destruction as creation

Gentles’ conclusion that Cromwell’s achievements were “chiefly destructive” overlooks the dialectical process of revolutionary change. Revolutions inherently involve destruction, but from that destruction, something new and better often emerges. The dismantling of the monarchy, the episcopal church, and the feudal aristocracy was not an end in itself; it served as the necessary foundation for a new social order to develop.

Cromwell’s legacy should be viewed through the lens of historical necessity rather than moral judgment. He was the figure who dismantled the old order and helped build the new one. His contradictions reflect the revolutionary upheaval; his violence embodies the struggle of a rising class seeking dominance; his failures highlight the bourgeoisie’s inability to secure victory without resorting to authoritarian measures. Cromwell is neither a hero nor a villain, nor a saint or a tyrant. Instead, he represents the historical process of the English bourgeois revolution: a figure that is both essential and tragic, both creative and destructive, embodying revolutionary change and conservative stability.

Conclusion: Cromwell as the dialectical figure of transition

Reinterpreting Cromwell from a Marxist perspective involves emphasising the social aspects of the revolution and placing his actions within the broader structural changes in English society. Cromwell was not the originator of the revolution but a tool of its implementation; he did not invent capitalism but facilitated its development; he was not a symbol of liberty but a representative of a new form of control. His life and career highlight the complex interplay of destruction and creation, mobilisation and repression, national liberation and colonial violence.

Sources and Bibliography

Primary Sources

  • Cromwell, Oliver. Letters and Speeches of Oliver Cromwell, ed. Thomas Carlyle. London: Chapman & Hall, 1845.
  • The Clarke Papers, ed. C.H. Firth. 4 vols. London: Camden Society, 1891–1901.
  • The Thomason Tracts, British Library, London.
  • Rushworth, John. Historical Collections. 7 vols. London, 1659–1701.
  • The Putney Debates, in Puritanism and Liberty, ed. A.S.P. Woodhouse. London: J.M. Dent, 1938.
  • The Acts and Ordinances of the Interregnum, 1642–1660, ed. C.H. Firth and R.S. Rait. London: HMSO, 1911.
  • The Journals of the House of Commons, vols. 3–7 (1640–1660). London: HMSO.

Secondary Sources: Marxist and Materialist Historiography

  • Marx, Karl. The Eighteenth Brumaire of Louis Bonaparte. 1852.
  • Marx, Karl, and Friedrich Engels. Selected Correspondence. Moscow: Progress Publishers, 1975.
  • Hill, Christopher. The World Turned Upside Down: Radical Ideas During the English Revolution. London: Penguin, 1972.
  • Hill, Christopher. God’s Englishman: Oliver Cromwell and the English Revolution. London: Penguin, 1970.
  • Hill, Christopher. The English Revolution 1640. London: Lawrence & Wishart, 1940.
  • Dobb, Maurice. Studies in the Development of Capitalism. London: Routledge, 1946.
  • Brenner, Robert. “Agrarian Class Structure and Economic Development in Pre‑Industrial Europe.” Past & Present 70 (1976): 30–75.
  • Wood, Ellen Meiksins. The Origin of Capitalism: A Longer View. London: Verso, 2002.
  • Anderson, Perry. Lineages of the Absolutist State. London: Verso, 1974.

Secondary Sources: Revisionist and Post‑Revisionist Historiography

  • Gentles, Ian. Oliver Cromwell: God’s Warrior and the English Revolution. Basingstoke: Palgrave Macmillan, 2011.
  • Gentles, Ian. The New Model Army in England, Ireland and Scotland, 1645–1653. Oxford: Blackwell, 1992.
  • Morrill, John. Revolt in the Provinces: The People of England and the Tragedies of War, 1630–1648. London: Longman, 1976.
  • Morrill, John. “The Religious Context of the English Civil War.” Transactions of the Royal Historical Society 34 (1984): 155–178.
  • Russell, Conrad. The Causes of the English Civil War. Oxford: Clarendon Press, 1990.
  • Russell, Conrad. Parliamentary History, 1603–1642. Oxford: Oxford University Press, 1979.
  • Woolrych, Austin. Britain in Revolution, 1625–1660. Oxford: Oxford University Press, 2002.
  • Woolrych, Austin. Oliver Cromwell. London: Longman, 1990.
  • Reid, John. The Scottish Covenanters and the English Civil War. Edinburgh: Edinburgh University Press, 1982.

Secondary Sources: Radicalism, Sectaries, and Popular Politics

  • Sharp, Buchanan. In Contempt of All Authority: Rural Workers and the English Rising of 1381. Berkeley: University of California Press, 1980.
  • Reay, Barry. The Quakers and the English Revolution. London: Temple Smith, 1985.
  • Hessayon, Ariel, and David Finnegan (eds.). Varieties of Seventeenth‑Century Radicalism. Farnham: Ashgate, 2011.
  • Peacey, Jason. Print and Public Politics in the English Revolution. Cambridge: Cambridge University Press, 2013.
  • Manning, Brian. The English People and the English Revolution. London: Heinemann, 1976.
  • Manning, Brian. 1649: The Crisis of the English Revolution. London: Bookmarks, 1992.

Secondary Sources: Ireland, Empire, and Colonialism

  • Lenihan, Pádraig. Consolidating Conquest: Ireland 1603–1727. London: Routledge, 2014.
  • Ó Siochrú, Micheál. God’s Executioner: Oliver Cromwell and the Conquest of Ireland. London: Faber & Faber, 2008.
  • Canny, Nicholas. Making Ireland British, 1580–1650. Oxford: Oxford University Press, 2001.
  • Plant, David. Cromwell and Ireland. London: British History Online, 2010.
  • Armitage, David. The Ideological Origins of the British Empire. Cambridge: Cambridge University Press, 2000.

Secondary Sources: State Formation and Political Theory

  • Skinner, Quentin. The Foundations of Modern Political Thought, vol. II. Cambridge: Cambridge University Press, 1978.
  • Tawney, R.H. Religion and the Rise of Capitalism. London: Penguin, 1926.
  • Gorski, Philip. The Disciplinary Revolution: Calvinism and the Rise of the Modern State. Chicago: University of Chicago Press, 2003.
  • Weber, Max. The Protestant Ethic and the Spirit of Capitalism. London: Allen & Unwin, 1930.

Suggested Further Reading (for Marxist Dialectical Context)

  • Trotsky, Leon. History of the Russian Revolution. London: Pluto Press, 1977.
  • Trotsky, Leon. The Permanent Revolution. New York: Pathfinder, 1978.
  • Hobsbawm, Eric. The Age of Revolution, 1789–1848. London: Weidenfeld & Nicolson, 1962.
  • Hobsbawm, Eric. Industry and Empire

 

Monday, 23 April 2012

Bandit Queen commented on The English Civil War- Trial of The King Killers

Excellent drama and history of the trials of the men who killed Charles I and the revenge of the monarchy that they tried to abolish, the sources are well represented here and here their own words and testimony. It was brilliant.

   

Saturday, 21 April 2012

Nick commented on Oliver Cromwell: God's Warrior and the English Revolution (British History in Perspective) Professor Ian Gentles


I really enjoyed this review - thanks for posting it, I must get round to reading Gentles's book soon.

On the subject of Cromwell and the junto, I don't think it's disputed that he was involved in its fringes during the early 1640s. His links to Oliver St John and through that to the circle around the Earl of Warwick and Viscount Saye and Sele are well documented. Where historians disagree - and ultimately the evidence is too slender to prove either way - is quite how much a part of the circle he was.

It's possible to see his interventions in the Long Parliament in 1640/41 as naive and over-reaching, misjudging the politics of the day, but equally they can be represented as Cromwell flying kites for the junto in full knowledge that they might get watered down (but recognising someone needed to start negotiations). 

Personally, I think Cromwell's involving in freeing John Lilburne points more towards the latter, but whichever the interpretation you take it's clear Cromwell was only a minor player at this stage.

John Adamson is good on this in his chapter on Cromwell and the Long Parliament in John Morrill's "Oliver Cromwell and the Puritan Revolution".



Friday, 20 April 2012

A Short Q&A with Professor Ian Gentles.

Professor Ian Gentles is the author of a new biography of Oliver Cromwell. To compliment my review I asked him a few questions

Q. What made you write another biography of Cromwell?

A. I wrote this biography because the publisher invited me to.  In addition, I am fascinated by Oliver Cromwell, and believe that I understand the 'inner man’ better than most historians, especially his religion, which is of such key importance in understanding him. Finally, I believe I had some original information and insights to impart.  Through my research in the Close Rolls (NA, C 54) I turned up material on his personal finances of which no one else was aware.  I am also the first person to draw public attention to the "Fleetwood Chest", his wedding gift to his daughter Bridget, now held in the Collins Barracks Museum in Dublin.  I believe also that I have successfully interwoven his political and military careers and shown how they were interconnected, and influenced each other.

Q Are you aware that Prof john Morrill and his team are working on a new critical edition of the collected works of Oliver Cromwell.

A. Yes, I know about the forthcoming critical edition.  John Morrill is a good friend of mine, and we have discussed many aspects of Cromwell's life. The critical edition will be most welcome since WC Abbott's edition is unsatisfactory in many respects.

Q How do you see the current historiography on Oliver Cromwell

A.It is striking that new material on Cromwell is being turned up all the time.  In particular Patrick little has written about the Protectorate, as well as Cromwell's daughters' marriages, his interest in horses, and music, and his sense of humour.  Andrew Barclay has written a valuable study of Cromwell's early life, in which he has solved the puzzle of how Cromwell managed to get elected for the borough of Cambridge in 1640.  Both Little and Barclay have kindly shared with me their research findings in advance of publication.  Blair Worden is preparing a keenly-awaited intellectual biography of Cromwell.

Q What are you working on now.

A.This summer I am writing the biography of Col. Thomas Pride for the History of Parliament, and preparing a keynote address to the Midwest Conference on British Studies on the state of play in Civil War studies.  My longer-term project is a book on Ireland and England in the 16th and 17th centuries, with particular attention to the plantations of the 1650s.



Tuesday, 17 April 2012

Kate Chidley commented on http://keith-perspective.blogspot.co.uk/2010/08/on-katherine-chidley-1616-1653.html


I'd love to find that she was my ancestor ! you go.girl.l've read somewhere that she harangued Cromwell, saying they had promised all would be equal, but, quoting Orwell, some were more equal than others, i.e. men more equal than women. Is it possible to find pamphlets online? What a lady,

Reply

Thank you for the comment. Can you remember where you saw that she met Cromwell? I have just finished an article on Women Levellers and the English Revolution for the blog Hoydens and Firebrands which includes some stuff on Chidley.

If you like I can send you some stuff I have on her. It is true she was quite a lady and apparently one of many. Maybe you should do some research on whether she was a relative. Chidley does not strike me as a common name, where are you from.

Best Wishes

Keith Livesey


Wednesday, 11 April 2012

Newton commented on winstanley Review

I became excited by Winstanley et. al. through Hill's World Turned Upside Down in the 70s, about the time Kevin Brownlow was creating his movie. Much later, after Christopher Hill gave a talk (on Bunyan), I asked him about the Diggers from the sixties.

I noted, that Emmet Grogan's autobiography, Ringolevio mentions that they decided on calling their NYC group (transplanted to San Francisco) the Diggers after reading an English history book.

I asked what that the book would have been since WTUD came out after the Digger moment.

He smiled with delight to remind me, of course, that he had been writing about the Diggers at length at least since the edited collection of documents, The Good Old Cause, in 1949.   

Monday, 9 April 2012

Winstanley [DVD] [1975] Director Kevin Brownlow and Andrew Mollo

“We could certainly do with a new Winstanley to help today” Kevin Brownlow

“You poor take courage; you rich take care/This Earth was made a Common Treasury for everyone to share/All things in common, all people one “.Diggers Song.

Winstanley is the stunning 1975 film about the 17th-century revolutionary Digger Gerrard Winstanley. To begin with, anyone who is looking to view this movie should at least have a basic understanding of the English revolution. To get even more enjoyment out of the movie, they should acquaint themselves with the left-wing of that revolution the Diggers and to a lesser extent the Ranters.

The film has as one writer put It a “stark monochrome beauty” to it. The film style pays homage to the Russian filmmaker Sergei Eisenstein. The film was clearly a labour of love for Brownlow and Mollo with a large degree of perfection for detail and costume. Winstanley was produced on a minuscule budget £24,000 with a volunteer cast apart from one professional actor, first shown in 1975. This review is of the digital re-mastering carried out by the British Film Institute.

What was Brownlow’s inspiration from making this film? Like many people he had become disillusioned with the political set up (this was in 1975),” The Labour Party is no longer the Labour Party. Nor is the Conservative Party. You can hardly tell the difference. We are in a real mess. And I don’t know where we’re heading.”.

Why should anyone want to see this film and what relevance does it have today. Like under four hundred years ago we live in a time of wars, revolution and economic upheaval. Social inequality still exists, and democracy does not exist for millions of people. So in this respect, we are not so far away from the people who fought in the English Civil War.


According to the writer Marina Lewycka who worked on the film “ it is no coincidence that there should have been a renewed surge of interest in Winstanley and the Diggers in the 1960s and 1970s, at a time when the spirit of revolution was out on the streets, and latter-day Diggers were occupying campuses and squatting houses and apartment blocks. I was a starry-eyed young PhD student in 1970, researching radical thought in the 17th century. What drew me to Winstanley was not only his political radicalism but that he seemed to have a "psychological" understanding of the biblical narrative, unusual at that time, as an allegory of the struggle between good and evil which took place in every human heart”.

The director of Winstanley Kevin Brownlow like some people had not heard of his subject matter before starting work on the film. The fact that the movie is so good is, even more, testimony to him and co- director Andrew Mollo’s enthusiasm to learn about Winstanley and apply that learning with such startling effect.

Lewycka explains the ethics behind the making of the film “in some ways, the making of the movie Winstanley mirrored the endeavour of the original Diggers. It was an enterprise held together by a shared belief that commitment was more important than money, a lack of hierarchy that occasionally bordered on the anarchic, the spirit of voluntarism, good humour, camaraderie, stoicism in the face of setbacks, and a willingness to submit to the rigours of English dirt and English weather in pursuit of a higher purpose. Like Winstanley, we had our priorities straight. We knew that fame, fortune and ambition were not what it was about; what mattered was doing it properly”.

It is only recently that a systematic study of Winstanley has started to emerge. The recent publication of his collected works is one indication of the trend to restore Winstanley to his place as one of the most prominent figures of the English civil war.

He is certainly a figure that according to Christopher Hill who turned the world upside down.
His form of utopian communism was influenced by John Lilburne and his fellow Levellers. But in ideological terms, he went further than the Levellers in both actions and words.

The egalitarian nature of his philosophy was captured in his pamphlet “The New Law of Righteousness”, written in 1648. “Selfish imaginations”, he said had lead one man to rule over another. “But everyone shall put their hands to till the earth and bring up cattle, and the blessing of the earth shall be common to all,” “When a man hath need of any corn or cattle, take from the next store-house he meets with. There shall be no buying and selling, no fairs or markets, but the whole earth shall be the common Treasury for every man.”

Cromwell does not appear in the film which is a pity because along with Ireton he was the chief ideological opponent of the Levellers, Diggers and Ranters not Fairfax who does appear in the movie. Cromwell’s rebuke to Winstanley “What is the purport of the levelling principle but to make the tenant as liberal a fortune as the landlord. I was by birth a gentleman. You must cut these people in pieces, or they will cut you in pieces.”

Winstanley founded his commune of Diggers at St George’s Hill, Surrey. The film portrays with heartbreaking accuracy the tremendous poverty of the people belonging to the commune. Who also faced increasing violence at the hands of both New Model Army soldiers and the local population.

The commune was to last only two years. Within in that two years, other communities began to spring up, but these were eventually dissolved. In many ways, this was a movement way ahead of its time.

The film has mixed reviews which are a little harsh as Brownlow admits “No artist is ever satisfied. We did the best we could at the time. ”I wanted to be a professional director, making films with a social context here or in Hollywood, If I hadn’t made those first two features outside the industry, and taken a more regular route, I might have achieved that ambition. Money is essential in making films. If you get enough of it, it gives you time to make them properly – and time ensures quality. That’s why cheap pictures are usually so awful and why Hollywood spends hundreds of millions to achieve the standards of epics like Titanic.”

Winstanley is a superb film. See it if you can. More could have done to explore the ideological differences that occurred during the war. Perhaps in this one case more money would have helped. Having said that Winstanley is still a little gem.

Notes
(1) Kevin Brownlow’s Winstanley: Warts and All, 320 pages UKA Press (8 May 2009)ISBN- 1905796226

(2) The Complete Works of Gerrard Winstanley Hardcover Thomas N. Corns (Editor), Ann Hughes (Editor), David Loewenstein (Editor) OUP Oxford (24 Dec 2009)