Emil and the Detectives by Erich Kastner E. Hall (Translator) Puffin Paperback – 21 Sept. 1959

 

(This article is dedicated to the memory of Elisabeth Zimmermann-Modler 1956–2025: Trotskyist and fighter for the working class)

Emil: Are your people well off?

Professor: I don't really know. Nobody ever talks about money.

Emil: Then I expect you have plenty. 

Dialogue from Emil and the Detectives

“It is sufficient to remember that the German bourgeoisie, with its incomparable technology, philosophy, science and art, allowed the power of the state to lie in the hands of a feudal bureaucratic class as late as 1918 and decided, or, more correctly, was forced to take power into its own hands only when the material foundations of German culture began to fall to pieces.”

Leon Trotsky: Proletarian Culture and Proletarian Art

The story of Kästner's Emil and the Detectives illuminates Germany in the 1920s, before German culture began to fall to Pieces under the death blow of  Fascism. Published in 1929 and in English in 1931, Kästner would have been politically aware enough to know that the book and himself were living on borrowed time. While the Nazis burned his books, he, however, did not suffer the same fate despite being interviewed by the Gestapo twice.

There are many reasons why adults return to their childhood books. For some, it is a comfort read or just the pure joy of reading. Emil and the Detectives was one of my first reads as a child. Not sure why I was drawn to it, why I chose a foreign author rather than a British one, we will never know. I borrowed it from my school library because it wasn't on the school reading curriculum. I want to say that I was aware of its political overtones, but I was drawn to it by chance, as I was not yet politically conscious of the world around me, which would arrive when I reached sixteen. Nevertheless, the book will always evoke fond childhood memories.

Perhaps because children and adults, for that matter, face a return to the darkness that fell on Europe with the rise of fascism, that Emil and the Detectives still resonates today. It makes sense that a group of kids from 1929 would represent society's underdogs, at risk from the forces of fascism, not only in Germany but in America, too.

The text from the 1931 translation by Margaret Goldsmith gives a flavour of the children's class consciousness in Kastner’s book: “I don't understand that at all," little Tuesday declared. "How can I steal what already belongs to me? What's mine is mine, even if it's in a stranger’s pocket! ”These things are difficult to understand," the professor expounded. "Morally, you might be in the right. But the law will find you guilty all the same. Even some grown-ups don't really understand these things, but they are a fact. Or this dialogue

Emil: Are your people well off? Professor: I don't really know. Nobody ever talks about money. Emil: Then I expect you have plenty. ”[1]

As Uma Krishnaswami correctly writes, “Emil and the Detectives positions itself squarely on the side of ordinary people and against oppression meted out by the powerful. When a suspicious-looking man, Herr Grundeis, steals the money Emil Tischbein’s mother gave him, young Emil doesn’t go to the police. Instead, he dashes off to find the thief. In the process, the boy sleuth gathers a motley band of friends, including the unforgettable Pony Hütchen and, of course, the endearing Little Tuesday, without whose faithful vigilance the plan could not unfold. Naturally, the kids are victorious in the end.”[2]

Why read Kästner Now

Emil’s story raises perennial questions: how childhood experience is shaped by class, how working-class solidarity takes root in everyday life, and how the state and the market shape civic trust. Studying such literature trains workers and students to read cultural texts as expressions of material conditions.

So Erich Kästner’s Emil and the Detectives (1929) is best read not simply as a children’s adventure but as a social document of the late Weimar Republic: a work that reflects class contrasts, urban life, and the moral questions facing youth in a capitalist society. Again, for workers and students, Kästner offers an accessible entry point into how literature can both reflect social conditions and contribute to political education. For a political framing of Kästner’s broader milieu and politics.[3]

Erich Kästner’s stories, poems and satires—written amid the political turmoil of the Weimar Republic—are rich in social observation: they identify petty‑bourgeois anxieties, the erosion of democratic habits, the everyday humiliations of children and workers, and the moral cowardice of elites. Reading Kästner in the workplace helps workers develop a literary sensibility while equipping them to connect cultural forms to concrete political tasks: building class consciousness, exposing bourgeois ideology, and preparing collective struggle.

One of Kastner’s most crucial works is Fabian or Going to the Dogs. As Bernd Reinhardt perceptively writes, “ Fabian has certain autobiographical traits and who more than once in his literary work blames 'stupidity' for social ills, referring to dumb Nazis, stupid Germans, and so on. The voiceover that features from time to time in the film quotes a passage from the novel where the fights between Nazis and Communists are compared to dancehall brawls. Like many other intellectuals, Kästner underestimated the danger of the Nazi movement. After the war, he admitted that they should have been fought earlier, because “threatening dictatorships can only be fought before they have taken power.”[4]

About the Author

Erich Kästner (1899–1974), a pacifist and satirist whose works were famously burned by the Nazis, though Emil and the Detectives was initially spared due to its popularity.

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[1] Emil and the Detectives by Erich Kastner E. Hall (Translator) Puffin Paperback – 21 Sept. 1959

[2] Why You Should Read (or Reread) Emil and the Detectives-www.umakrishnaswami.com/blog/why-you-should-read-or-reread-emil-and-the-detectives

[3] See the WSWS discussion of Kästner’s Fabian work and its relation to the Weimar social crisis, on Fabian and the dangers of the 1930s.

[4] German Film Award in Silver for Dominik Graf’s Fabian: Going to the Dogs-www.wsws.org/en/articles/2021/11/13/fabi-n13.html

Lord of the Flies: by William Golding-Faber & Faber 3 Mar. 1997

 “ A Libel Against Humanity”

David Walsh

‘The Satan of our cosmology is the Second Law of Thermodynamics, which implies that everything is running down. Life is … a local contradiction of this law … [it] refuses to submit … and rewinds itself up again.’

William Golding

Anyone who moved through those years, without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head.”

Wiliam Golding

Lord of the Flies, written in the aftermath of the Second World War, is essentially a “libel against humanity”. The book’s plot line follows a group of largely public schoolboys who descend into savagery at the drop of a hat after being stranded on a deserted island.  While Golding argues that "man produces evil as a bee produces honey," he rejects the premise that the boys' behaviour could be socially constructed. Golding believes violence is a default setting of humanity and not a condition of the competitive, capitalist and class-divided society in which the boys were raised.

A class analysis would indicate that Ralph and Piggy are members of the ruling elite representing the liberal-democratic order and that both exhibit "bourgeois" values. Jack would be the totalitarian/militarist, portraying the rise of fascism or the expression of Stalinism, valuing strength and production (meat) over intellectualism and law.

Piggy's alienation and death could be explained by his lower-class status (indicated by his accent and physical limitations), showing that an irrational" democratic system fails to protect those it deems inferior.  Golding believed that it would not take much for civilisation after the Second World War to suffer the same fate as the boys. A Marxist would argue that the novel reflects the "political subconscious" of the Cold War era, in which the fear of nuclear war and the struggle between democracy and communism are projected onto the children’s conflict.

As Alexander Lee points out in a recent article, Golding's postwar irrational vulnerabilities were preceded by Yevgeny Zamyatin’s We (1924) and Aldous Huxley’s Brave New World (1932), which had already pointed to a dystopian future in which rationalism and science run amok, destroying morality. In 1941, a Mass Observation Report found that a majority of British people believed that science was ‘out of control’.

Such was the toxic atmosphere created by the post-war period, by the American state and ruling class when they carried out a purge of socialist and left-wing views from film, writing and culture as a whole. Golding’s opinions, as presented in Lord of the Flies (1954), which present violence and atavism as central to the human condition, were already being expressed by other writers during this period.

However, William Golding’s novels are not merely literary artefacts; read dialectically, they are tools for political education—revealing how ideas, institutions and everyday relations reproduce domination, and pointing to why only organised working-class struggle can overturn the conditions that give rise to the very tragedies he depicts.

David North puts this better when he says, “Most of you are, I am sure, familiar with William Golding’s Lord of the Flies, which argues that barbarism is the natural condition of humanity. Release a group of ordinary school boys from the usual restraints of civilisation and they will, within a few weeks, revert to a state of homicidal savagery. This misanthropic work flowed from the conclusions drawn by Golding from the experiences of the Second World War. “Anyone who moved through those years,” he later wrote, “without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head. The popularity of Lord of the Flies reflected the bewilderment and despair provoked by the horrors of World War II. This mood was strengthened by the political relations that arose in the aftermath of the war. It became more challenging to engage in a discussion of the nature of the Third Reich after 1945 than before. In the reactionary political environment of the Cold War, it was no longer considered appropriate, especially in the United States, to dwell too seriously on the relation between fascism and modern capitalism.”[1]

In his defence, Golding was not born a pessimist or prone to irrationality. According to Alexander Lee, “Long before Golding began writing Lord of the Flies, he had also been a rationalist. The son of a science teacher, he studied Natural Sciences at Oxford before switching to English. He grew up believing that humanity was not only capable of change but also progressing. Like many students in the 1920s and 1930s, he agreed with Karl Marx that history moves in one direction: forward. He believed that, even if the process might sometimes be painful, even violent, the conditions of life would inexorably improve and humanity become happier, more ‘enlightened’, and fulfilled. It was inevitable.”[2]

So what changed? What made Golding write ‘We are the masters of ignorance, proud, frightened, and god-haunted. We have no country and no home.’ We are no better than before: worse, in fact. Death has become a calculation, and even cruelty has lost its horror. It might be tempting to compare this to the ‘law of the jungle’, but even that would be an understatement. In what jungle could you find six million people being processed through a death chamber?’[3]

Again, Golding was not the only writer to draw pessimistic conclusions from the rise of fascism and Nazi Germany’s responsibility for the murder of six million jews. Walter Benjamin’s famous “Angelus Novus”‑inspired lament saw history as an accumulating catastrophe rather than a process moving toward emancipation; Benjamin’s own despair culminated in suicide while fleeing fascism, a tragic personal witness to the collapse of political possibilities. Others turned to cultural nihilism or moral relativism—treating the Holocaust as proof that Enlightenment rationality and historical materialism were bankrupt. In his book Understanding the Nazi Genocide: Marxism after Auschwitz, Enzo Traverso makes clear his deepening opposition to Marxism as a method of historical analysis and as the basis of a political perspective.

In the introduction, he writes: “Between emancipation and genocide, the history of European Jewry, as much in its metamorphoses as in its wounds, can be seen as an excellent laboratory in which to study the different faces of modernity: its hopes and liberatory aspirations on the one hand, its destructive forces on the other. This history shows both the ambiguity of the Enlightenment and its heirs, including Marxism, and the extreme forms of barbarism that modern civilisation can take.”

The Marxist writer Nick Beams replied, saying, “This approach, in which 'modernity' is made responsible for the crimes against the Jewish people—one could say the crimes against humanity committed on the body of the Jewish people—performs a vital political role. It obscures the political forces and the social classes whose interests they ultimately served. Modernity is an empty abstraction. It is wracked by class division and class conflict.”[4]

While Golding’s and others' approach is psychologically understandable, this thinking depoliticises the lesson of Auschwitz. It turns the Holocaust into an argument that history has no laws or that socialism is an inadequate response and substitutes metaphysical despair for political struggle. As the World Socialist Web Site has argued, attempts to attribute Auschwitz to amorphous “modernity” rather than to specific class and imperialist dynamics serve to blur responsibility and paralyse resistance.

Since some of the article was written with the help of the WSWS’s Socialism AI, it would be churlish of me not to praise it, and to say that it has already become an invaluable educational tool in the struggle for socialism. One aspect I am particularly struck by is that it not only provides information but also offers a Marxist study guide. It provides a systematic framework for studying Golding’s book to inform both a theoretical understanding and aid political development.

 

 

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[1]The Myth of “Ordinary Germans”: A Review of Daniel Goldhagen’s Hitler’s Willing Executioners-www.wsws.org/en/special/library/russian-revolution-unfinished-twentieth-century/15.html

[2] William Golding’s Island of Savagery Alexander Lee | Published in History Today Volume 75 Issue 12 December 2025

[3] William Golding’s Island of Savagery

[4] Marxism and the Holocaust-www.wsws.org/en/articles/2010/05/adde-m15.html

Technology, Class Struggle, and the Case for Socialism AI

"When the wicked rule, the people groan. Where there is no vision, the people perish." — Proverbs 29:2, 18

Historical materialism teaches that the productive forces developed under capitalism do not belong, by nature, to the capitalist class that owns and directs them. They are the accumulated product of collective human labor, and their revolutionary potential is realized only when the working class wrests them from private control and turns them to conscious, planned use. Artificial intelligence is no exception to this law. The question is not whether AI will be used, but for whom and against whom.

It is in this light that Socialist World Media's recent republication of "The Man Trotsky" deserves attention — not merely as a historical curiosity, but as a prompt for thinking through how revolutionaries relate to new technology. The piece, first drafted in 1940 by the 22-year-old Rae Spiegel (who would later become known as Raya Dunayevskaya) while she served as Trotsky's secretary in Mexico, offers an intimate portrait of a revolutionary at work — disciplined, exacting, and always oriented toward the education of cadre. It was submitted to Max Shachtman's Workers Party press but never printed. One need not share the author's later political trajectory, or her uncritical treatment of Joseph Hansen, to find value in her account of Trotsky's method: the insistence that theory be tested constantly against a changing world, and that the education of the working class is inseparable from the fight to overturn capitalist rule.

That same method — historical materialism applied without flinching to a new technical development — is the correct way to approach the World Socialist Web Site's launch of Socialism AI, a chatbot trained on roughly 175 years of Marxist theoretical production and nearly three decades of WSWS analysis of the class struggle. Rather than a novelty or a gimmick, it should be understood as an attempt to place the accumulated theoretical memory of the international working-class movement within easier reach of workers, students, and activists confronting concrete questions — from the lessons of past struggles to how to organize against a specific layoff.

David North has situated the platform's significance within the objective crisis of world capitalism: at a moment when the bourgeoisie has spent decades dismantling the institutions of independent working-class education and discussion, a tool that draws connections between Marxist theory and the unfolding crisis is not a curiosity but a weapon of intellectual counter-offensive — a means of recovering historical memory for a movement that capital has worked systematically to sever from its own past. That argument holds. The retrieval and transmission of working-class historical memory has always been central to the Marxist project — from the Communist Manifesto onward, from the newspaper to the internet — and Socialism AI represents a further, qualitative step in that same continuous effort, a complement to the World Socialist Web Site rather than any substitute for it.

Unsurprisingly, sections of the middle-class left have moved quickly to denounce the initiative. A recent thread on the Socialist Party of Great Britain's forum, "WSWS group to launch a 'Socialism AI,'" gathered a series of unopposed comments hostile both to Trotskyist politics and to the very use of AI by a socialist movement. The WSWS's reply to one such critic, posting as "Dmitri," made the essential point: technical jargon aside, this hostility reflects a broader failure among layers of middle-class radicalism to grasp either how AI functions or how Marxists have historically approached new technology — not with technophobic suspicion, but by asking concretely which class interest a given tool serves and how it can be turned to the benefit of the exploited.

That is the standard by which Socialism AI should be judged, and by that standard it passes. A tool that makes 175 years of revolutionary theory more accessible to a worker asking how to fight a layoff, or a student trying to place today's crisis in historical context, does not distract from the tasks of socialist politics — it equips people to take them up. Workers and students have every reason to make use of it in the struggle for socialism in the twenty-first century.

The New Left Party: Seize the Time by Charlie Kimber and Tomáš Tengely-Evans Bookmarks 2025 £1.50

 ‘Oh what a tangled web we weave/ When first we practice to deceive,‘

Walter Scott- Marmion: A Tale of Flodden Field

To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man.

William Shakespeare's Hamlet (1601), Act 1, sc. 3, l 58

Lord, Lord, how this world is given to lying!

William Shakespeare's Henry IV, Part 1' (1597), Act 5, sc. 4, l [148]

“Tell me anyway – Maybe I can find the truth by comparing the lies.”

— Leon Trotsky

"The New Left Party: Seize the Time" is the title of a pamphlet by Charlie Kimber and Tomáš Tengely-Evans, published by the Socialist Worker. This new left party is called Your party, but no matter how the writers from the SWP dress it up, it is nothing but a Labour Party mark 2 and a political trap for the working class that is moving significantly to the left.

The reality is that “Your Party” is a "pseudo-left" and reformist project that will ultimately lead to "betrayal and defeat" for the working class. One indicator among many of that political trap is that the orthodox Trotskyists from the World Socialist website (WSWS) were explicitly barred from attending Your Party's founding conference, which it condemned as an act of "targeted political exclusion" and "bureaucratic censorship".

The founding of the party signals the "dead-end pseudo-reformist politics" that seek to work within the existing capitalist system rather than overthrow it. It deserves its title as a "Labour Party Mark 2".

The WSWS criticised Your Party's "policy statement" as a collection of "sound bites committing the party to nothing". It stresses that genuine socialism requires the "conscious revolutionary mobilisation of the working class to overthrow the capitalist state and establish workers' power", which Your Party avoids. The  WSWS contends that Your Party's leaders, including Corbyn and Sultana, will eventually "betray and defeat" the working class, similar to other "pseudo-left" figures like Bernie Sanders or Yanis Varoufakis.

Despite Kimber et al saying that the lessons from other attempts across Europe to form a series of new left parties must be learnt, the reality is that the SWP supported these attempts, dressing them up as socialist organisations that would lead a struggle against capitalism. They did nothing of the sort, and like Your Party, they are and were a political trap for the working class. The most recent of these traps is the SWP’s promotion of Zohran Mamdani. The SWP said of Mamdani’s campaign, “An insurgent vision that breaks with the status quo can be popular. That’s the lesson of Zohran Mamdani’s victory in New York. And it’s a lesson that Your Party could learn here in Britain.”

As the WSWS writes, “The experience of the past decade is replete with examples of parties and individuals whose claims to represent a radical break with the political establishment were shipwrecked on the realities of capitalist rule. In Greece, the Coalition of the Radical Left (Syriza) came to power in 2015, promising to end austerity, only to impose the most brutal social cuts at the dictates of the banks and the European Union. In Germany, Die Linke (Left Party) has participated in state governments that deport refugees and enforce austerity. In Britain, the Corbyn movement within the Labour Party capitulated to the right-wing establishment, paving the way for the return of open reaction. In class terms, these tendencies express not the interests of the working class but those of the upper-middle class—a privileged social layer seeking not a fundamental restructuring of society but a more comfortable position for themselves.”[1]

It has become pretty clear from the founding conference what type of organisation Your Party will be. What Pseudo Lefts were allowed into the hall were treated like dirt. As Laura Tiernan from the WSWS reports, “The SWP’s Samira Ali was physically removed from the conference venue by security guards who confirmed they were acting on the orders of Corbyn’s former chief of staff, Karie Murphy. The SWP’s Stand Up to Racism stall was dismantled. If this is how YP’s leadership treats loyal critics like the SWP, how would they respond in government to striking workers or to mass popular opposition to austerity and war?”

Mark Serwotka

The right-wing trajectory of Your Party was further expressed by a former ally of the Socialist Workers Party, Mark Serwotka. Serwotka is a leading member of Your Party. The SWP trumpeted Serwotka as a new breed of left-wing union leader leading a struggle against capitalism and Labourism.

Despite Serwotka's reputation as a left-wing, militant union leader, the reality is a little different. Serwotka and the PCS leadership have been "stifling action" and have failed to mount a serious challenge to government austerity measures and pay restraints. Serwotka has been incorporated into the Establishment, and pseudo-left groups such as the Socialist Alliance and Respect and the SWP give him a left cover and serve as a "safety valve" to contain working-class anger.

Serwotka writing in the Stalinist Morning Star wrote “We are not building a vanguard party — if we are not going to be the Labour party mark two, we’re not going to be the SWP or Socialist Party mark two either! We need to win the loyalty of millions, so we must emphasise a politics and campaigns that unite around people’s pressing material concerns, not the left’s factional, sectarian priorities. We cannot insist on ideological purity within our ranks — tolerance and acceptance of a variety of political views on the left is essential, including opinions about gender and sex, and a two-state solution.”[2]

The SWP and Trotskyism

While it is clear that the SWP has devoted considerable resources to the Your Party reformist bandwagon, it still maintains a Pseudo-Left usage of Marxists such as Leon Trotsky, Karl Marx, and Vladimir Lenin. They use these Marxists as a "calling card" to recruit members, particularly students, while ensuring that this nominal association never conflicts with its reformist objectives and certainly never advocates for genuine revolutionary change.

The use of a quote from the US Trotskyist leader James P Cannon is another calling card. This one is a little bizarre because Cannon and his party were once Trotskyists, and that is not the SWP’s political heritage. The SWP quote Cannon saying “that in every faction fight there is a reason—and then a real reason. Using Google's AI mode, I was unable to track down this quote. I just used an old-fashioned approach, and it comes up as this article- Factional Struggle and Party Leadership.[3]It is hoped that when The World Socialist Website launch its own Socialism AI, it will be easier to find quotes such as the one above.

The speciality of the SWP is airbrushing key historical figures, like Trotsky, from their events, such as the "Marxism" festivals, to avoid serious political discussion. Tony Cliff was the ideological founder of the SWP, and his organisation rejected every basic tenet of Trotskyism; however, this did not stop it from using elements of Trotsky’s perspective or analysis to suit its own political objectives. Throughout his life, Cliff sought to associate the SWP with Leon Trotsky as a historical figure. But in reality, it opposed Trotsky’s analysis of the Stalinist bureaucracy and denied the viability of the Fourth International that Trotsky founded in 1938. Trotskyism was “a cul-de-sac”, Cliff wrote, while “Trotskyists suffered from the psychological need to believe in miracles.

Your Party is a political trap, and the SWP is complicit in this trap. The urgent task is to resolve the crisis of working-class leadership and to build a genuine mass socialist party that unites workers worldwide and completes the epoch of world socialist revolution that began in 1917.

 

 

 

 

 

 

 

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[1] The political and class issues in Mamdani’s victory in New York City-https://www.wsws.org/en/articles/2025/11/06/ygfl-n06.html

[2] A new left party is born — but can it break with old habits morningstaronline.co.uk/article/new-left-party-born-can-it-break-old-habits

[3] www.marxists.org/archive/cannon/works/1953/facstrug.htm