Tuesday, 21 April 2026

Joy Crookes — Juniper (CD): 2025

 

“I get angry at the cost of living rising because I know the struggle to pay for your life fractures relationships.”

Joy Crookes

"First, art is the cognition of life. Art is not the free play of fantasy, feelings, and moods: art is not the expression of merely the subjective sensations and experiences of the poet... Like science, art cognises life"

Aleksandr Voronsky

"The peculiarity of the artist lies only in the fact that he unconsciously separates and notices only the typical, and this typical is not abstract, but concrete. It is an object and exists in the form of images".

Aleksandr Voronsky

It is unquestionably true that the need for art is not created by economic conditions. But neither is the need for food created by economics. On the contrary, the need for food and warmth creates economics.

Leon Trotsky

Joy Crookes (born 1998) is a British singer-songwriter of Bangladeshi and Irish heritage whose work blends soul, R&B, jazz, and chamber pop with sharply observed autobiographical lyrics. She emerged as a distinctive voice in the 2010s-2020s for her warm, expressive vocal delivery and songs that interweave family history, migration, class and intimate relationships. Her debut album, Skin (2021), and earlier EPs and singles established her reputation for crafting songs that make private memory speak to broader social conditions.

Her debut album, Skin, and her follow-up album, Juniper, were written while embedded in the stifling atmosphere of the capitalist cultural economy—the crisis of the music industry and streaming economics shape who survives and what reaches audiences. Crookes frequently weaves social commentary into her music, drawing on her South London upbringing and Bangladeshi and Irish heritage to explore systemic issues. Her debut album, Skin, was particularly noted for its "vibrant politics and beautiful storytelling", as were all her previous works.

“You seem to forget you came here through a woman, show some... respect.” – was seen as a challenge to patriarchy and male-dominated capitalist political systems, and was written in response to the 2016 US election and the experiences of women in her family. Kingdom": Written the day after the 2019 UK General Election, it critiqued the re-election of the Conservative party and the resulting "wave of anti-immigration sentiment". “No such thing as a Kingdom When tomorrow's done for the children.” – Suggests that the state has failed the future generations.

Joy Crookes’ second album, Juniper (2025), is a richly textured work that blends soul, R&B, jazz, and chamber pop with candid lyrics about family, class, identity, and love. Musically and lyrically, it rewards close, repeated listening: warm string and jazz-influenced arrangements sit beside spare piano ballads and beat-driven songs. At the same time, Crookes’ voice moves between intimacy and soaring intensity. The album is notable for its ability to make personal memories and family stories speak to broader social conditions.

Listeners should pay close attention to the jazz chords, strings and restrained production, which create a humane atmosphere that contrasts with the alienation Crookes describes. “Mathematics” is a beautifully crafted song and my favourite on the album. As a social document shaped by class relations and cultural forms, it works on many levels. Crookes often grounds other songs in family portraits and migration histories.

It would help the listener to transcribe the lyrics and identify concrete images, used by Crookes such as repeated motifs, numbers, calculation, measurement), and who speaks. Her mother appears in several songs, suggesting an extraordinarily close bond between mother and daughter. Her words, arrangement, tempo, and vocal tone reflect her worldview.

Crooke’s music is a confirmation that Art cannot be separated from the social forces that produce it. But she is different and an exception. Most mainstream music globally is banal and controlled by corporate entities that shape what reaches mass audiences and how artists survive the music industry’s exploitation and streaming stratification. Crookes’ Juniper stands apart in that it centres working-class life and minority experience rather than offering mere escapism.

Joy Crookes’ Juniper is more than an accomplished musical second album: it is a resource for developing working-class cultural literacy. Reading songs as documents of lived social relations trains the political imagination—turning private memory into collective understanding and, ultimately, organised action. Her album should be treated as both an artistic and pedagogical text. A socialist analysis of her work will help build a socialist consciousness and a socially equal society based on need, not profit.