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Wednesday, 9 July 2014
Interview with Writer/Historian Tom Reilly
Tuesday, 8 July 2014
Two Revolutionary Crises
Sunday, 29 June 2014
The Politics of the Tawney Archive: Class, Ideology, and the Fate of Historical Memory in Austerity Britain
The R. H. Tawney archive, now housed at the London School of
Economics, is more than a collection of papers from one of Britain’s most
influential twentieth‑century historians. It is a political object. Its
existence, its content, and its institutional fate all speak to the conditions
under which historical knowledge is produced, preserved, and contested in a
society governed by capitalist imperatives. To evaluate the archive politically
is to examine not only Tawney’s intellectual legacy but also Britain's broader political economy of culture: the austerity regime that has hollowed
out public institutions, the ideological retreat within academic
historiography, and the class struggle over the meaning of the English past.
This article offers such an evaluation. It argues that the
Tawney archive is significant not because it offers the tactile pleasures of
manuscript research, nor because it provides a sentimental link to a bygone era
of British social history, but because it contains the documentary traces of a
historian who, despite his ideological limitations, understood that
capitalism’s moral vocabulary is a weapon of class rule. At the same time, the
archive’s precarious institutional history, rescued from homelessness only
through absorption by a wealthy university, reveals the degradation of public
cultural infrastructure under neoliberalism. The archive is thus a site where
two political struggles intersect: the struggle over the interpretation of the
English Revolution, and the struggle over the survival of public historical
memory.
Tawney’s Historical Project: Ideology as Social Function
Any political evaluation of the archive must begin with
Tawney himself. Tawney was not a Marxist, and his ethical‑socialist commitments
kept him firmly within the orbit of Labourism reformism. Christian socialism,
Fabian gradualism, and a moral critique of inequality shaped his politics rather
than a scientific analysis of capitalism’s laws of motion. Yet his historical
instinct was unmistakably materialist. He understood that the rise of
capitalism in early modern England required a moral and theological
justification, and that this justification was consciously constructed to meet
the needs of an emerging class order.
Religion and the Rise of Capitalism remains his most
famous work, and for good reason. It is a partial, hesitant but significant attempt
to show how religious doctrine was repurposed to legitimate the acquisitive
ethic of early capitalism. Tawney saw that the transformation of economic life
in the sixteenth and seventeenth centuries was accompanied by a transformation
in moral language: the virtues of thrift, industry, and profit‑seeking were
elevated, while older communal and ecclesiastical restraints were reinterpreted
or discarded. The archive contains the scaffolding of this argument: sermon notes, marginalia on theological treatises, and chapter drafts tracing the
evolution of moral concepts.
What makes these materials politically significant is not
merely their content but their orientation. Tawney was grappling with ideology not
as abstract doctrine but as a social function. He understood, even if he did
not fully theorise it, that the moral vocabulary of a class society exists to
rationalise its material arrangements. In this sense, the archive preserves the
intellectual labour of a historian circling a problem central to Marxist
analysis: the relationship between ideas and class interests.
The Gentry Controversy: A Battle Over the English
Revolution
The political significance of the archive becomes even
clearer when placed in the context of the “Gentry Controversy,” the
historiographical dispute between Tawney, Hugh Trevor‑Roper, and Lawrence Stone
over the social origins of the English Revolution. Tawney’s argument that a
rising gentry enriched by land, commerce, and office provided the social base
for the revolutionary crisis of the 1640s was an early attempt to articulate the
bourgeois character of the Civil War. It suggested that the conflict was rooted
in the transformation of property relations and the emergence of a class whose
interests were incompatible with the absolutist state.
Trevor‑Roper’s rejoinder, that the gentry were in decline
rather than ascent, was not a neutral academic correction. It was a political
intervention. By denying the existence of a rising bourgeois stratum, Trevor‑Roper
sought to undermine any interpretation of the Civil War as a bourgeois
revolution. He mobilised his argument in its own time against precisely the
kind of class‑based historical narrative Tawney’s work gestured toward. Stone’s
later contributions complicated the picture but did not alter the fundamental
stakes: the controversy was a proxy war over whether the English Revolution can
be understood as a decisive moment in the transition from feudalism to
capitalism.
The Tawney archive contains the raw material of this
struggle. Essay drafts, notes on landholding patterns, and correspondence with
contemporaries reveal a historian attempting to map the social forces that
shaped the seventeenth century. To engage the archive politically is to
recognise that these documents are not relics of antiquarian interest but
evidence of a historiographical battle over the class character of the English
past. The archive is a site where the ideological struggle over the meaning of
the English Revolution is materially present.
The Archive as Political Object: Austerity, Precarity,
and Institutional Capture
Yet the political evaluation cannot stop at Tawney’s ideas.
The archive’s institutional fate is itself a commentary on the condition of
public culture under British capitalism. The Women’s Library, which houses the
collection, was “saved from homelessness” only through absorption by the LSE.
This phrase, often repeated in accounts of the archive’s relocation, should be
taken literally. The library, a public cultural institution with a unique
historical mission, became precarious under decades of austerity, its survival
dependent on rescue by a wealthy university.
This is not a story about digitisation or the supposed
“loss” of tactile research. It is a story about the systematic underfunding of
public cultural infrastructure. Budget cuts have gutted archives, libraries,
and museums across Britain, forcing them to reduce staff, limit access, and, in
many cases, close entirely. The Women’s Library’s absorption into the LSE is
emblematic of a broader trend: public institutions rendered insecure, dependent
on elite universities or private donors for survival, their autonomy
compromised by the logic of austerity.
The Tawney archive is therefore a political object not only
because of what it contains but because of the conditions under which it
exists. Its precariousness reflects the broader degradation of public memory
under neoliberalism. The archive’s survival depends on institutional capture, and its accessibility is shaped by the priorities of a university
increasingly oriented toward market imperatives.
Digitisation and the Politics of Access
The sentimental lament that digitisation threatens archives
is a distraction. Digitisation, properly funded, would democratise access to
Tawney’s papers far beyond the narrow circle of researchers who can visit
Bloomsbury. It would allow workers, students, and independent scholars to
engage with materials that are currently accessible only to those with
institutional affiliation and geographic proximity.
The real threat is not technology but political economy. Digitisation
requires investment, infrastructure, and long-term planning, all of which austerity
undermines. The fear of digitisation often expressed by archivists and
academics is, in reality, a displaced anxiety about the collapse of public
funding. The problem is not that archives will become “surplus to research
requirements,” but that they will become inaccessible, under‑resourced, and
increasingly subordinated to elite institutions' priorities. A materialist
account of archival access begins with this recognition. The struggle is not
between paper and pixels but between public culture and austerity.
Conclusion: The Archive as Site of Class Struggle
To evaluate the Tawney archive politically is to see it as a
site where multiple struggles converge. It preserves the intellectual labour of
a historian who, despite his ideological limits, understood that capitalism’s
moral vocabulary is a weapon of class rule. It contains the documentary traces
of a historiographical battle over the class character of the English
Revolution. And its institutional precariousness reflects the degradation of
public cultural infrastructure under neoliberalism.
The archive is thus a microcosm of Britain's broader crisis of historical memory. It reveals how austerity erodes the foundations
of public culture, how elite institutions capture and contain historical
resources, and how the ideological retreat within academic historiography
mirrors the political retreat of the Labourist tradition Tawney himself
inhabited.
Sunday, 25 May 2014
A history that stops short of its own logic: Selina Todd's The People: The Rise and Fall of the Working Class, 1910–2010
Selina Todd's book arrives at a time when declaring the
decline of the working class has become a common theme in academic and
political discussions. From André Gorz's 1980 Farewell to the Working Class to
John Major's concept of a "classless society" and Tony Blair's
statement that "we are all middle class now,' decades of debate have
focused on the idea that the working class is disappearing, at least in a
political sense. Todd's title, with its narrative of rise and fall, positions
her within this ongoing conversation, regardless of her personal views.
This thesis has faced many challenges over the years. Since
its 2014 release, and especially during the social upheavals caused by
COVID-19, strikes, large-scale protests, and a resurgence of socialist ideas
have emerged. These developments challenge any story of inevitable
working-class decline. In fact, the pandemic vividly revealed who sustains
modern economies and whose labour is vital for society.
History from below, without the historical materialism
Todd works self-consciously in the tradition of
"history from below," and the resemblance to E.P. Thompson's The
Making of the English Working Class is not accidental. She describes the
period she covers as a "working-class century," beginning when the
vast majority of Britons still worked with their hands. The implicit claim of
her title—that this class has since fallen—does not survive close examination
of her own material. The working class of the early twenty-first century is not
the same as in 1910. Still, its position in relation to capital is unchanged in
its essentials, and repeated economic crises have, if anything, driven layers
of the middle class back into it rather than out of it.
Todd's own account of her motivations is that existing
labour history concentrated on organised, unionised workers and left out the
domestic servants, casual labourers and unemployed among whom she grew up. This
is a harder claim to sustain than she perhaps intends, given how much social
history of exactly this kind has been produced over the past thirty years.
Whatever the merits of that claim, the resulting book is a serious piece of
work. It is well researched, readable, and strongest where it draws on oral
testimony: Todd combed local studies libraries and the social surveys of the
1950s and 60s to assemble the voices of more than two hundred people, and the resulting
text is genuinely rich—servants, militant trade unionists of the 1960s and 70s,
the first generation of council-house buyers under Thatcher, lives transformed
and destroyed by fortune, unemployment and war.
The book runs into difficulty in its underlying conception
of class. Like Thompson, whose influence on her is explicit, Todd treats a
historical-materialist account of class as inadequate on its own, preferring to
speak of class, in her words, "in a less determined way." This
follows directly from Thompson's own definition of class in his essay on
"The Peculiarities of the English": not a fixed position in the
relations of production but a "happening," a shared body of
experience and tradition that a group of people come to recognise and act upon.
The political origins of this method are not incidental.
Thompson left the Communist Party of Great Britain in 1956 and, with John
Saville, founded The New Reasoner; it later merged with Stuart Hall's Universities
and Left Review to form the early New Left Review. Both Thompson and
Saville were sharply hostile to the Trotskyist current represented at the time
by the Socialist Labour League. What was presented as a "socialist
humanist" recovery of an authentically English Marxism functioned, in
substance, as a means of carrying forward the Communist Party's Stalinist
"British Road to Socialism" in a new theoretical idiom—one that
substituted nation, culture and, later, gender and ethnicity for a materialist
analysis of class. The consequences of that substitution for Marxist
historiography have been considerable, and Todd's own treatment of class bears
their imprint.
This is not simply an academic dispute. It shapes what Todd
does and does not do with her material. She does not sentimentalise the working
class, and to her credit she is clear that most of it has historically sought
to reform capitalism rather than overthrow it. But her treatment of the trade
union bureaucracy and the Labour Party is correspondingly soft, coming at
points close to passing over their record rather than confronting it directly.
The point made by the Trotskyist writer Cliff Slaughter, in a 1960 polemic on
revolutionary leadership, remains relevant here: working-class consciousness of
its own historical role does not arise spontaneously but has to be fought for,
against the educational and political institutions through which the ruling
class reproduces its own outlook within the class it exploits—and that struggle
cannot be won without a high degree of centralised political organisation.
What is missing
It is telling that a book of more than 450 pages on the
twentieth-century English working class does not mention Karl Marx and refers
to the Communist Party only twice. More significant still is what the book
omits from its account of the century's defining events. Todd treats the Second
World War and the rise of Thatcherism as the pivotal moments for English
workers, but the single event that did most to shape the modern labour
movement—in Britain as everywhere else—took place not in Britain but in Russia:
the October Revolution of 1917—a history of the twentieth-century working class
that leaves out 1917 leaves out its own centre of gravity.
Equally striking, given her acknowledged debt to Thompson,
is Todd's silence on the Communist Party Historians Group of the 1940s and 50s,
of which Thompson himself was part, alongside Rodney Hilton, Eric Hobsbawm and
Christopher Hill. One need not endorse the group's politics to recognise that writing
a serious history of the modern English working class is difficult without
reference to their work. As the Marxist writer Ann Talbot observed in her 2003
assessment of Christopher Hill, this generation of historians represented a
specific and critical juncture—the passing of British world hegemony to the
United States and the sharpening of class conflict—in which socialist-minded
intellectuals looked to the Soviet Union and to 1917 for a model of an
alternative society, even as their work carried the marks of Stalinist
politics. Talbot's critique of the "People's History" genre this
milieu helped establish, associated above all with A.L. Morton, applies with
some force to Todd's own approach. By absorbing rebels and revolutionaries of
every period into a single national-popular tradition, that genre tended to
blur their actual class character, in the service of a Popular Front politics
that subordinated the independent interests of the working class to alliances
with supposedly progressive sections of the bourgeoisie.
Conclusion
The People is a genuinely useful record of
working-class experience across the twentieth century, carried by real skill in
oral history and narrative construction. It is not, and does not present itself
as, a Marxist analysis of class. What it lacks—a materialist account of class
as a structural relationship to the means of production rather than a shifting
cultural identity, and any serious engagement with 1917 or with the historians
who took that event as their starting point—is not a peripheral omission but
the book's central weakness. A future study by Todd prepared to take both
questions seriously would be a genuine contribution.
Sources and Bibliography
Primary text
Todd, Selina. The People: The Rise and Fall of the
Working Class, 1910–2010. London: John Murray, 2014.
Interviews
Gill, Joe. "British historian Selina Todd
interviewed." Dear Kitty. Some Blog, 3 May 2014. http://dearkitty1.wordpress.com/2014/05/03/british-historian-selina-todd-interviewed/
Theoretical and historiographical sources
Thompson, E.P. The Making of the English Working Class.
London: Victor Gollancz, 1963.
Thompson, E.P. "The Peculiarities of the English."
The Socialist Register 2 (1965): 311–362. Marxists' Internet Archive.
Slaughter, Cliff. "What is Revolutionary
Leadership?" Labour Review 5, no. 3 (October–November 1960): 93–96,
105–111. Republished by the Encyclopedia of Trotskyism On-Line (ETOL).
Talbot, Ann. "'These the times... this the man': an
appraisal of historian Christopher Hill." World Socialist Web Site,
25 March 2003. https://www.wsws.org/en/articles/2003/03/hill-m25.html
Works referenced for context
Gorz, André. Farewell to the Working Class: An Essay on
Post-Industrial Socialism. Translated by Michael Sonenscher. London: Pluto
Press, 1982. Originally published as Adieux au prolétariat (1980).
Morton, A.L. A People's History of England. London:
Victor Gollancz, 1938.
Note on sourcing: Quotations from Thompson, Slaughter
and Talbot above are drawn from the citations as they appear in the original
draft under review and have been kept brief and paraphrased where necessary in
line with standard citation practice; readers wishing to consult full
statements should refer to the primary sources listed.
Sunday, 13 April 2014
Thomas Harrison, the Fifth Monarchists, and the Unresolved Questions of the English Revolution
Thomas Harrison’s death at Charing Cross in October 1660 has
long overshadowed the political journey that brought him there. Pepys’s famous remark
that Harrison died “as cheerful as any man could do in that condition” has
become a shorthand for remembering the regicide, capturing a vivid moment from
Restoration theatre that has overshadowed the deeper historical issues his
career raises. David Farr’s Major-General Thomas Harrison is only the third
full biography of Harrison and the first to utilise the full range of available
archival material.
Based on rigorous research, it is a serious and long-overdue
work. However, it also stops short of drawing the conclusions that its own
evidence suggests. Harrison’s life cannot be fully understood without examining
the class struggles of the English Revolution, the complex role of millenarian
republicanism, and the structural limitations of plebeian radicalism within a
bourgeois revolution. Farr gathers the raw materials for such an analysis but
does not provide the synthesis.
Harrison and the Problem of English Historiography
Harrison's neglect is deliberate. English historiography has
historically been uncomfortable with the 1640–1660 revolution, especially the
radical armed republicans and millenarians. Britain’s citizenship test today
skips the Civil War period because its scars are still considered too fresh.
The revolution is viewed as an anomaly, a disruptive break in the presumed
steady flow of constitutional monarchy.
Farr’s achievement is revisiting manuscript sources to piece
together Harrison’s early years in Newcastle-under-Lyme and London, his
advancement in the New Model Army, and his crucial involvement in the
revolutionary crisis. He structures the biography thematically, addressing
providentialism, millenarianism, army culture, reputation, and political
alliances, which is effective since Harrison’s public record is more complete
than his private life. Nevertheless, this thematic approach also allows Farr to
sidestep the key question: what social forces cultivated Harrison’s radicalism,
and why did those forces ultimately fail to drive the revolution to its outcome?
Farr’s book highlights the most compelling parts of Charles
I's trial and execution, as well as Harrison's treatment during the
Restoration. Harrison, second only to Cromwell and Ireton in political
influence among the fifty-nine who signed the death warrant, was a prime target
for royalist revenge after the monarchy was restored. His notable presence made
him, along with the king, one of the most urgent targets for retribution. Farr
observes that Harrison’s calmness at his execution served as “a different kind
of public text: a demonstration of unbroken faith rather than of crushed
rebellion,” illustrating that the Restoration government aimed to show that
revolutionary actions would be harshly punished. At the same time, radical
supporters saw his death as proof that their cause endured.
However, Farr’s analysis falters where the stakes are
highest. His frequent use of terms like “textual representation” and “textual
responses” implicitly adopts the theoretical framework of cultural studies, an
approach created specifically to shift focus away from class as the key element
of historical analysis. “A man was hanged, drawn and quartered… describing the
aftermath mainly as a matter of competing ‘texts’ risks losing sight of the
true issues in the streets and Parliament.”
This is a significant methodological issue, not just a small
debate. Harrison's execution was not merely a semiotic event; it was a forceful
reassertion of property, hierarchy, and monarchical authority following a
decade in which these structures had been severely challenged. Framing it as a
simple discursive contest overlooks the underlying material struggle.
The Fifth Monarchists: Class, Millenarianism, and the
Limits of Plebeian Radicalism
Farr’s analysis of the Fifth Monarchists expands on Bernard
Capp’s fundamental research, which identified the movement’s supporters mainly
among urban artisans and the lower middle class, such as "weavers,
tailors, cobblers, small tradesmen.” A royally hostile pamphlet mocked that
even a list of “gentlemen” in their group would be so short it could fit on
half a penny’s worth of paper once the weavers, tailors, brewers, cobblers,
tinkers, and mat-makers were removed.
This movement drew on petty bourgeois and artisan classes
destabilised by war, enclosure, and trade disruptions. For these groups, the
revolution meant both potential ruin and opportunity. Their millenarian beliefs
were not just religious eccentricities but a political reaction to social
upheaval. However, Farr misses a key conclusion: the Fifth Monarchists were a
plebeian faction within a bourgeois revolution, and their agenda mirrored the
structural constraints of that role.
They did not oppose private property itself; instead, they
aimed for a fairer redistribution within a system of small-scale ownership.
Their interest in Mosaic law mirrored the conflicting tendencies of a class
seeking moral clarity amid economic instability. Unlike the Levellers, they
showed less concern with expanding voting rights. Instead, they were more
focused on spreading the revolution internationally. John Rogers’s criticism
that the army was inactive domestically while efforts were needed abroad highlights
this missionary drive.
The Fifth Monarchists supplied both the fighting force and
moral conviction for the revolution, yet they lacked the social influence to
settle the key property issue. This was ultimately resolved by Cromwell,
Ireton, and the army leaders, individuals from a wealthier and more
conservative social background.
Harrison was, in Farr’s words, “at Cromwell’s shoulder,”
indicating close alignment. Cromwell supported Harrison’s millenarian views
when convenient but withdrew support when they risked the settlement he prioritised.
The Barebones Parliament of 1653, Harrison’s main hope, was England’s closest
step to a theocracy. Its quick downfall signalled the radical faction’s
surrender to more conservative forces, well before the Restoration sealed that
dominance.
Christopher Hill is the most significant historian to have
studied the radical fringes of the revolution. However, even in his work The
World Turned Upside Down, he offers little insight into the Fifth Monarchists,
despite their movement attracting the support of tens of thousands. Hill’s
later view, seeing Paradise Lost as reflecting on the revolution’s failure,
illustrates a common challenge among leftist historians: understanding why the
plebeian faction was defeated, rather than simply noting that it was.
The answer rests on the nature of bourgeois revolution
itself. The English Revolution was not a proletarian insurrection; instead, it
represented the political strengthening of a burgeoning bourgeois order. Plebeian
and artisan groups could serve as a force against feudal monarchy, but they
could not impose their own agenda on the rising capitalist class. Their
millenarian republican ideals could not become the dominant ideology in a
society whose economic base was shifting toward agrarian capitalism, trade
expansion, and empire-building. Farr’s archival research provides the
foundational data for this interpretation, although he does not attempt to theorise
it.
Social Origins and the New Model Army
The final part of the book, which details Harrison’s
transition from the edges of merchant and lawyer communities into the New Model
Army’s officer ranks, clearly highlights Farr’s socioeconomic argument. Using
Ian Gentles’s prosopographical research, Farr demonstrates that a significant
minority of New Model officers advanced from lower ranks- a level of social
mobility not seen in Royalist armies.
This fluidity reflected the “antinomianism” and “Puritan
egalitarianism” that defined the radical wing of the army. Harrison exemplifies
this pattern. His millenarian beliefs didn't come out of nowhere; they stemmed
from his social position, caught between petty bourgeois insecurity and
revolutionary possibilities.
Once more, Farr fails to analyse how this internal
radicalism connected to the larger class forces vying for control of the
revolution. The New Model Army was not a uniform entity; instead, it was a
battleground dominated by conflicting class interests. Harrison embodied the
plebeian and artisan classes, while Cromwell represented the conservative
bourgeois middle class. Harrison's defeat thus signified the conservative
bourgeoisie's victory over the plebeian and artisan factions.
Harrison’s execution was more than revenge; it symbolically
reinforced the social order the revolution had challenged. Pepys’s comment that
Harrison died “as cheerful as any man could do in that condition” reflected the
belief that a man could fail politically yet remain faithful. The Restoration
government needed to set an example, and his death warned others against
thinking the revolution could be undone. However, his calm acceptance of death
ensured his memory would continue to inspire those who saw the revolution not
as a mere mistake in governance but as an ongoing struggle.
What Farr Achieves and What Remains to Be Done
Farr's work showcases meticulous historical research by
thoroughly bringing to light a previously overlooked yet vital figure. His book
is poised to become the authoritative source on Harrison for many years. It
confronts a historiographical trend that often portrayed Harrison as a naive
fanatic, primarily remembered for four words about the king and his own death.
The book's main flaw is its framework rather than its
research. A genuine materialist analysis of Harrison and his movement needs to
explain why an artisan-led millenarian republicanism could inspire the fighting
spirit and moral purpose of a revolution that ultimately did not achieve its
goals. It should also clarify why, by 1660, the Fifth Monarchists’ vision of a
godly commonwealth was replaced by a restored monarchy supported by the
propertied classes who the revolution had initially opposed. Farr provides
nearly all the necessary evidence for this interpretation, but others must
develop the final insights.
Sunday, 15 December 2013
Revisionism by Another Name: The English Revolution c.1590–1720
The Return of a Revolution Without Its Content
Nicholas Tyacke’s edited collection, The English
Revolution c.1590–1720: Politics, Religion and Communities, promises to
restore the English Revolution to its rightful place in historical debate. For
decades, the dominant academic tendency, revisionism, has denied the very
existence of a revolution, reducing the mid‑seventeenth century to a crisis of
governance, administrative strain, and political miscalculation. Tyacke’s
volume appears to challenge that orthodoxy. It revives the vocabulary of
revolution, adopts the long chronological frame associated with Marxist historiography,
and gestures toward the structural transformations that shaped the period. Yet
the gesture is largely rhetorical. The book resurrects the language of
revolution while quietly discarding the analytical framework that once gave
that language explanatory force.
The English Revolution was not a constitutional accident. It
was the political expression of profound social change: the erosion of feudal
relations, the rise of capitalist agriculture, the expansion of overseas
commerce, and the emergence of new social groups whose interests collided with
the Stuart monarchy's absolutist ambitions. Any serious attempt to explain the
revolution must confront these processes. Tyacke’s contributors do not. The
result is a collection that borrows the temporal architecture of Marxist
historiography while rejecting the materialist analysis that made that
architecture meaningful.
Tyacke’s introduction is the volume's most substantial attempt to reclaim the term “revolution.” He summarises the Whig and Marxist
traditions with clarity and fairness, and he acknowledges the limitations of
revisionism. But he does not confront the intellectual consequences of
revisionism’s dominance. The likely reason is simple: most contributors remain
too close to the revisionist worldview to mount a serious challenge. The
book thus occupies an ambiguous position: post‑revisionist in rhetoric,
revisionist in substance.
The Long Seventeenth Century Without Its Engine
The chronological sweep from 1590 to 1720 places the volume within the tradition of the
“long seventeenth century,” a concept forged by Marxist historians. Eric
Hobsbawm’s general crisis thesis argued that the seventeenth century marked a
decisive stage in the transition from feudalism to capitalism. Hugh Trevor‑Roper’s
counter‑argument, though hostile to Marxism, accepted the need for structural
explanation. Christopher Hill’s Century of Revolution treated the
English Revolution as the pivot of the entire period.
Tyacke’s contributors adopt the temporal frame but abandon
the structural analysis. The result is a long seventeenth century drained of
its meaning: a chronology without causality. The revolution becomes a prolonged
episode of ideological quarrelling and constitutional improvisation, rather
than the political expression of deep social transformation.
This is not merely an intellectual shortcoming. It reflects
a broader trend in early modern historiography: a retreat from economic history, a suspicion of class analysis, and an elevation of micro‑politics
and localism. The discipline has become increasingly capable of describing the
revolution in exquisite detail while increasingly unable to explain it.
Revisionism and Its Post‑Revisionist Shadow
Revisionism, associated with Conrad Russell, Kevin Sharpe
and John Morrill, insisted that the civil war was an accident: the product of
short‑term misjudgements, provincial grievances, and the administrative
difficulties of ruling three kingdoms. It denied any connection to long‑term
economic or social change. Tyacke acknowledges this, but he does not confront
the consequences. The contributors’ focus on high politics, religion, print
culture, and elite manoeuvres remains comfortably within the revisionist
comfort zone. The book’s post‑revisionist stance is therefore limited. It
restores ideology to the centre of the period, but ideology without class
becomes abstraction. It recognises conflict, but conflict without material
roots becomes theatre. It speaks of revolution, but revolution without social
forces becomes metaphor.
High Politics Without Social Foundations
The strongest chapters address the revolutionary decades.
Even here, however, the focus remains overwhelmingly on elite politics,
religious conflict, and print culture. Sean Kelsey’s chapter on Eikon Basilike
is meticulously researched and revealing. It shows that royalism was not a
monolithic bloc but a coalition divided by social tensions. This is precisely
the kind of research that could challenge revisionist assumptions, yet the book
never draws out its implications. Richard Cust and Ann Hughes helped restore
ideology to the centre of early Stuart studies.
Michael Braddick’s effort to connect 1640 with 1688 is
genuinely valuable. But ideology without class becomes abstraction. The “long
revolution” Braddick describes lacks the social interests that made 1688 a
settlement favouring property, Parliament, and the rising bourgeoisie. John
Walter’s chapter stands out. His work on popular politics, riots, and
crowd action continues the “history from below” tradition of Hill, Thompson and
Manning. But even Walter stops short of treating the lower orders as decisive
actors. Manning demonstrated that they were not merely a backdrop but a driving
force shaping events in London, the counties, and within the New Model Army
itself.⁹ Walter’s reluctance to follow Manning’s lead reflects the volume’s
broader limitations.
What the Book Cannot
Explain
The most glaring omission is
economics. Across 212 pages, the book offers no sustained discussion of enclosure, the
rise of capitalist agriculture, the expansion of the cloth trade, colonial
commerce, the emergence of a powerful merchant bourgeoisie, or the transformation
of London into a capitalist metropolis.
These were not peripheral
developments. They were the material processes that produced the social groups
whose interests collided with the Stuart monarchy's absolutist ambitions.
Without them, the English Revolution becomes inexplicable: a constitutional
quarrel that somehow ended in regicide, a republic, and military dictatorship.
The avoidance of economic history is not accidental. It
reflects a broader trend in revisionist and post‑revisionist scholarship: a
retreat from structural analysis toward micro‑politics, localism, and
ideological nuance. The result is a discipline that can describe the
revolution in exquisite detail while increasingly unable to explain it.
Conclusion: A Useful Collection, But Not a Sufficient One
Tyacke’s volume is well written, well researched, and often
illuminating. It will be useful to students and general readers. But it is not
a serious attempt to restore the English Revolution as a category of historical
explanation. It revives the vocabulary of revolution while quietly discarding
the Marxist analysis that made the term meaningful.
Anyone who wants to understand why England had a
revolution in the seventeenth century rather than simply how it unfolded
will still need to return to Hill, Manning, and Hobsbawm. Tyacke’s collection
supplements that tradition, not replaces it.
Bibliography
Braddick, Michael, ‘The English Revolution and its
Legacies’, in Nicholas Tyacke (ed.), The English Revolution c.1590–1720:
Politics, Religion and Communities (Manchester: Manchester University
Press, 2007), pp. 189–212.
Cust, Richard, and Ann Hughes (eds.), Conflict in Early
Stuart England (London: Longman, 1989).
Hill, Christopher, The Century of Revolution, 1603–1714
(London: Nelson, 1961).
Hobsbawm, Eric, ‘The General Crisis of the European Economy
in the 17th Century’, Past and Present, 5 (1954), pp. 33–53; 6 (1954),
pp. 44–65.
Kelsey, Sean, ‘The King’s Book: Eikon Basilike and
the English Revolution of 1649’, in Nicholas Tyacke (ed.), The English
Revolution c.1590–1720: Politics, Religion and Communities (Manchester:
Manchester University Press, 2007), pp. 63–84.
Manning, Brian, The English People and the English
Revolution (London: Heinemann, 1976).
Morrill, John, ‘The Causes and Course of the English Civil
War’, in John Morrill (ed.), The Oxford Illustrated History of Tudor and
Stuart Britain (Oxford: Oxford University Press, 1996), pp. 279–307.
Russell, Conrad, The Causes of the English Civil War
(Oxford: Clarendon Press, 1990).
Sharpe, Kevin, The Personal Rule of Charles I (New
Haven: Yale University Press, 1992).
Trevor‑Roper, Hugh, ‘The General Crisis of the Seventeenth
Century’, Past and Present, 16 (1959), pp. 31–64.
Tyacke, Nicholas (ed.), The English Revolution
c.1590–1720: Politics, Religion and Communities (Manchester: Manchester
University Press, 2007).
Walter, John, ‘Politicising the Popular? The “Tradition of
Riot” and Popular Political Culture in the English Revolution’, in Nicholas
Tyacke (ed.), The English Revolution c.1590–1720: Politics, Religion and
Communities (Manchester: Manchester University Press, 2007), pp. 113–140.
Tuesday, 19 November 2013
A Field in England: Revolution Without the Revolutionaries
Ben Wheatley’s A Field in England (2013) has been
widely praised for its visual invention, its genre‑bending strangeness, and its
audacity in staging a Civil War hallucination on a shoestring budget. But
beneath the surface of its black‑and‑white psychedelia lies a telling
expression of the ideological exhaustion that has gripped British cultural life
for decades. The film’s aesthetic ingenuity cannot conceal its profound
historical emptiness. It is a work about the English Revolution in which the
revolution—and the revolutionaries—have been almost entirely erased.
This erasure is not accidental. It reflects a broader
intellectual retreat from the understanding of the 1640s as a decisive moment
in world history, a revolution in which masses of ordinary people intervened
consciously in political life, debated the foundations of power, and
articulated demands for equality and democratic control that resonate to this
day. Wheatley’s film, for all its technical flair, embodies the opposite
outlook: a Hobbesian nightmare of isolated individuals, driven by fear, appetite,
and superstition, stumbling blindly through a landscape stripped of meaning.
Hobbes Without History
The film opens with an epigraph from Leviathan,
Thomas Hobbes’s famous description of life in a state of nature as “solitary,
poor, nasty, brutish, and short.” Hobbes wrote those words in 1651, as the
English Revolution was reaching its climax. They expressed his fear of what
humanity might become without a strong sovereign power. Wheatley, however,
treats Hobbes not as a theorist of political order but as a chronicler of the
age itself. The film’s world is one in which social bonds have collapsed, ideas
have evaporated, and human beings exist as little more than instinctual
creatures. This is not the 1640s. It projects contemporary pessimism onto the
past.
The plot is deliberately slight. A handful of men flee a
battle—of which we see almost nothing—and wander into a field where the rest of
the film unfolds. Among them is Whitehead (Reece Shearsmith), a timid
alchemist’s assistant sent to apprehend O’Neil (Michael Smiley), a rogue who
has stolen from his master. O’Neil soon dominates the group, forcing them to
dig for treasure he claims lies beneath the soil. A meal of hallucinogenic
mushrooms plunges the film into a series of disorienting sequences, culminating
in a struggle between Whitehead and the diabolical O’Neil.
The film’s technical qualities are genuine. Shot in stark
monochrome, it has moments of striking visual beauty. Wheatley borrows freely
from Eisenstein’s montage, Weimar expressionism, and the folk horror tradition
of the late 1960s and early 1970s. Flashes of dark humour and bursts of
violence are genuinely unsettling. But these elements serve a narrative that is
almost aggressively empty of historical content.
The Revolution That Isn’t There
Serious films about the English Civil War are rare, and
Wheatley’s project attracted attention from historians and critics alike. The
period remains one of the most consequential in British history: a king was
tried and executed; a standing army debated the foundations of political
authority; radical movements such as the Levellers and Diggers articulated
demands for democracy and common ownership that would not be heard again for
centuries. None of this appears in A Field in England.
Historian Annette Bullen, writing for the Institute of
Historical Research, noted that religion—central to every aspect of 17th‑century
life—barely registers in the film. Only one character expresses religious
feeling, and others mock or ignore his prayers. Cromwell and the King are
mentioned only in passing. The men have no political consciousness, no sense of
the world-transforming events around them. They would rather be in an alehouse
than at the Putney Debates. They fight, when they fight at all, for causes they
neither understand nor care about. This is not a neutral artistic choice. It reflects
a long ideological shift.
From Winstanley to Wheatley: A Cultural Retreat
The contrast with Winstanley (1975), Kevin Brownlow
and Andrew Mollo’s masterpiece about Gerrard Winstanley and the Digger commune,
is instructive. Brownlow and Mollo approached the period with seriousness and
respect, reconstructing the Diggers' world with painstaking accuracy. Their
film is about ideas—ideas fought for by ordinary men and women who believed the
earth should be a “common treasury” for all. Its soldiers belong to an army
that debated ordinary people's rights at Putney. Wheatley’s characters, by
contrast, have no ideas.
Bullen argues that each film reflects its time's
intellectual climate. Winstanley emerged from the late 1960s, when
Marxist historians such as Christopher Hill interpreted the Civil War as a
genuine revolution—a clash of social classes that cleared the way for
capitalist development. By the mid‑1970s, revisionist historians were gaining
ground, recasting the conflict as an accident, a muddle of local grievances and
aristocratic factionalism with no deeper social logic.
A Field in England is the cultural expression of
where that retreat has led. Its world is not merely post‑Marxist; it is post‑historical.
The revolution has vanished entirely. In its place are isolated individuals,
drugged and brutalised, in a field that could be anywhere. Whatever Wheatley’s
intentions, the film echoes the outlook that has dominated academic life and
the arts for decades: history has no meaning, grand narratives are suspect, and
human beings are driven by appetite and fear.
The Political Meaning of Erasure
The 1640s were a moment when masses of ordinary
people—soldiers, artisans, small farmers—intervened directly in politics. They
debated questions of power, property, and equality with a seriousness that puts
today’s political establishment to shame. To reduce that period to a Hobbesian
nightmare is to erase precisely what made it significant.
At a time of deepening social inequality, growing hostility
to the political elite, and widespread disillusionment with parliamentary
politics, the revolutionary tradition of the 1640s has renewed relevance. It
shows that ordinary people can think for themselves, organise collectively, and
challenge entrenched power. Wheatley’s film, however, offers only despair. It
mistakes hallucination for history and substitutes nihilism for political
imagination.
Conclusion
A Field in England is beautifully photographed,
occasionally funny, and crude and violent in equal measure. As a work of folk
horror, it is striking. But as a work about the English Revolution, it is a
wasted opportunity. It reflects and reinforces an ideological climate in which
collective agency has been forgotten, radical ideas dismissed, and history
itself reduced to a series of disconnected, meaningless episodes.
Friday, 1 November 2013
E.P. Thompson, the New Left, and the Politics of Historical Evasion: A Marxist Reassessment
The fiftieth anniversary of The Making of the English
Working Class has triggered many commemorations, most earnest and uncritical, that
avoid direct confrontation with the political implications of E.P. Thompson’s
historical approach. Scott Hamilton’s The Crisis of Theory fits into this
pattern. It is a thorough, often sympathetic, sometimes insightful book, but
ultimately avoids addressing key issues. Its main argument that Thompson’s
separation from the Communist Party of Great Britain in 1956 marked a “crisis
of theory” from which he never fully recovered functions more as a storytelling
device than a rigorous historical analysis, dramatising a rupture that Hamilton
does not deeply explore.
The issue isn't that Hamilton misreads Thompson, but that he
declines to engage with the political tradition that shaped him. Thompson
didn't come from a Marxist movement nor break away from one. He was formed in
the Stalinist environment of the CPGB in the 1940s, a Stalinism that had
already lost its revolutionary essence, become nationalist, and aligned with
the Popular Front’s strategy of subordinating the working class to
“progressive" bourgeois sectors. Mentioning a “crisis of theory” in 1956 suggests
Thompson had a revolutionary theory beforehand, which isn't true. Hamilton’s
book, by neglecting this crucial context, unintentionally reveals the
limitations of its preferred historiographical tradition.
The Politics Hamilton Cannot Confront
Hamilton’s early chapters stand out as some of his best, yet
even they show signs of evasion. He details Thompson’s political apprenticeship
in the CPGB thoughtfully, but he downplays its significance, showing leniency
towards the brothers’ patriotic enthusiasm. Frank Thompson’s wartime complaint
that it was “humiliating” to sit by while other nationalities fought for
Britain conflicts with any notion of genuine internationalism.
This detail matters: it reflects the CPGB's political
climate in the 1940s, where nationalism disguised as Marxism, Popular Frontism
appeared as internationalism, and Stalinism claimed to represent revolutionary
continuity. Thompson emerged from the war as a staunch Stalinist, and his
subsequent record shows no indication that he confronted the Moscow Trials or
the purge of the Bolshevik Old Guard.
Hamilton’s silence regarding the Trotsky–Stalin conflict is
intentional, not accidental. It reflects a fundamental structural choice.
Addressing this conflict would mean challenging the core ideas of Stalinism:
the rejection of perpetual revolution, the promotion of “socialism in one
country,” and the shift of Marxism from a scientific theory of global
revolution to a nationalist, gradualist ideology. Thompson embraced this
framework completely, influencing his political views, his approach to history,
and his opposition to theory. Hamilton cannot openly recognise this without
undermining his entire argument.
The Communist Party Historians’ Group: The Missing
Foundation
The most noticeable omission in Hamilton’s book is the
absence of the Communist Party Historians’ Group and, most importantly, Dona
Torr. It is difficult to credit an account of Thompson’s formation that omits
the person most responsible for it. Torr was not merely a mentor. She was the
architect of the CPHG’s national‑radical historiography, the intellectual
bridge between Popular Front politics and “history from below.” Her biography
of Tom Mann, situating him as “a late representative in a story of England’s
long-running struggle,” is the template for The Making of the English
Working Class. The working class appears not as a class defined by its
objective position in capitalist production, but as the bearer of an instinctively
radical national tradition. This is not Marxism. It is Popular Frontism
translated into historiography.
Thompson’s later rejection of the CPHG’s approach as
“quaintly empirical" was more of a stylistic critique than a fundamental
disagreement. The core assumptions, such as nationalism, empiricism, scepticism
of theory, and opposition to internationalism, remained consistent in his work.
Hamilton’s lack of comment on Torr is therefore deliberate. Addressing her
would mean challenging the entire Popular Front.
1956 and the New Left: A Break Without a Rupture
Hamilton’s most compelling chapters explore Thompson’s exit
from the CPGB and the establishment of The New Reasoner. However, even here,
the key question remains unasked: was Thompson’s departure a move toward
revolutionary Marxism, or just a change within a non-revolutionary political
context? At the Wortley Hall Conference in April 1957, John Saville stated that
the goal was to develop a body of Marxist ideas relevant to the British working
class, which involved examining “our own working-class movement and its
history.” David North’s response is particularly impactful: The real problem
was not insufficient knowledge of Manchester or Liverpool in the 1820s, “but
what had happened inside the Russian Communist Party in the 1920s.”
Thompson and Saville shifted their focus from the
international class struggle to the national radical tradition. However, this
was not a departure from Stalinism but a continuation of it. Thompson’s
antagonism toward Trotskyism further supports this, as he told The Newsletter
that Trotskyist views “tend toward the petrification and perpetuation of
sectarian division.” Slaughter remembered Thompson describing Trotskyism as
“sectarian, ultra-left and anti-revolutionary," indicating that he was
still embedded within Stalinist ideas rather than emerging from them.
Hamilton’s interpretation of the Thompson–Anderson dispute
is proficient yet lacks depth. Your review observes that neither party framed
their arguments within an internationalist Marxist perspective. The entire
debate centred on nationalist ideas. Anderson’s claim of an ‘epochal bourgeois
revolution’ spanning from the twelfth to the nineteenth century was a Ptolemaic
construct, a theoretical framework designed to uphold English exceptionalism.
While Thompson’s counterargument, backed by stronger archival research, also
remained confined to national boundaries, neither addressed the crucial
question: how the English Revolution integrates into the global development of
capitalism and international class struggles. The conflict did not reflect
lively theory; rather, it reflected fatigue within theoretical approaches.
The Making of the English Working Class: Achievement and
Limit
The Making remains a significant work, yet its focus on
subjective experience comes at the expense of downplaying the objective,
international, and scientific aspects of Marxism. This tension is at the core
of Thompson’s approach. While his effort to preserve the stories of “the poor
stockinger, the Luddite cropper, the ‘obsolete’ hand-loom weaver” from “the
enormous condescension of posterity” is compelling, it results in portraying
the working class as a moral subject rather than a revolutionary force. Their
radicalism appears instinctive rather than rooted in theory, their history
remains national instead of international, and their struggle is cultural
rather than political. This is not Marxism. It is radical liberalism with a
working‑class accent.
Hamilton’s The Crisis of Theory is an important yet
ultimately vague book, often enlightening but evasive in key areas. By
excluding the Historians’ Group, Dona Torr, and the Socialist Labour League’s
critique, it omits the crucial material needed to evaluate what Thompson’s 1956
“crisis” actually addressed or left unresolved. The reality, which is simpler
and more uncomfortable, is that Thompson did not face a theoretical crisis
because he never truly had a revolutionary theory to start with. His split from
the CPGB was organisational rather than ideological. His politics stayed
nationalist, empiricist, and opposed to the internationalist Marxism he knew
only through Stalinist distortions. This essay aims to contribute to the view
of Thompson not as a tragic figure who lost a theory, but as a symbol of a
political tradition that never actually held one.
Friday, 13 September 2013
A Short Interview with Historian John Morrill on the New Critical Edition of Oliver Cromwell’s Writings and Speeches
For over two years, John Morrill and a team of eight
researchers have been engaged in one of the most ambitious editorial projects
in modern Cromwell studies: A New Critical Edition of all the Writings and
Speeches of Oliver Cromwell. Their work promises to reshape the textual
foundations on which Cromwell scholarship has rested for more than a century.
In this short Q&A, Morrill outlines the scope, challenges, and implications
of the project.
Is this a definitive version of Cromwell’s writings, or
is there more to be done?
Morrill: Nine of us have spent two years tracking
down Cromwell material. We have found little significant new material (although
we do have new versions of some of the speeches), but we have tracked down many
items not seen since they were poorly transcribed in the 18th and 19th
centuries. We think it very unlikely, but not impossible, that there is unknown
material ‘out there’.
How different an Oliver Cromwell emerges from your
research?
Morrill: There is nothing transformative. But by
excluding a few items we think are apocryphal, improving the texts of some
important letters, and understanding the context better, we think there will be
many small things that will cumulatively make quite a difference. How much will
only be realised when I complete my new biography based on the new edition in
2015 or 2016.
What was the most difficult problem encountered by your
researchers?
Morrill: A high proportion of Cromwell’s letters and
speeches exist not in autographs but in multiple early copies — especially for
the late 1640s and early 1650s, when we have multiple print versions of each
letter but no manuscript. Most of the speeches he made to Parliament also
appear in multiple copies from different scribes. Stabilising those texts has
been rewarding but difficult.
Do the commentaries and headnotes represent a move away
from previous historiography on Cromwell?
Morrill: We will publish three volumes of ‘texts’,
each writing or speech with a contextual headnote and normal footnotes saying
who people are, noting major differences between the various versions, etc. And
there will be two companion volumes — one a set of essays on the edition
(Cromwell’s handwriting, why some things survive and others don’t, and
exploring the reliability of texts which are not autographs), and one a set of
interpretative essays by a range of scholars as they work with the new edition
(Cromwell’s faith, his politics, his relations with his family, with the Army,
with Parliament, etc.). We think this will make the edition much more reliable
than earlier ones, much more usable and much more useful.
Are the volumes aimed primarily at an academic audience,
or will they be accessible to a wider readership?
Morrill: The texts are presented in their original
spelling and punctuation, so they are a bit harder to follow than modernised
ones would be, but the contextual headnotes and footnotes should allow anyone
interested in the period to use the volumes. It will be available online with
Oxford Scholarly Editions Online — the first port of call for scholars — but it
will also appear in handsome volumes of 800, 800, 800, 400 and 400 pages.
What is the expected publication date?
Morrill: We have completed the searches, completed
the transcriptions, and decided in almost every case which version to use as
our ‘proof text’. Nine of us will now write the headnotes and footnotes and
hope to complete that by September 2014, with publication by the end of 2015.






