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Saturday, 21 April 2012
Nick commented on Oliver Cromwell: God's Warrior and the English Revolution (British History in Perspective) Professor Ian Gentles
Friday, 20 April 2012
A Short Q&A with Professor Ian Gentles.
Tuesday, 17 April 2012
Kate Chidley commented on http://keith-perspective.blogspot.co.uk/2010/08/on-katherine-chidley-1616-1653.html
Wednesday, 11 April 2012
Newton commented on winstanley Review
Monday, 9 April 2012
Cinema and Bourgeois Historical Consciousness-

Kevin Brownlow and Andrew Mollo’s Winstanley deserves to be far better known than it is. Made on a shoestring over several years in the late 1960s and early 1970s, and shot in a stark, almost ascetic black and white, the film recounts the brief and doomed attempt by Gerrard Winstanley and a band of landless poor to cultivate common ground at St George’s Hill, Surrey, in 1649 — an episode largely written out of the popular memory of the English Revolution, in which the establishment narrative prefers to dwell on constitutional wrangling between Crown and Parliament rather than on the class forces beneath it.
That the film exists at all is remarkable. Brownlow and Mollo financed it independently, outside the structures of the British film industry, with a budget that would barely cover catering on a studio production. The cast, drawn overwhelmingly from historical re‑enactment societies and ordinary volunteers rather than professional actors, gives the film an unpolished, documentary-like authenticity that no amount of studio finance could purchase. Faces are weathered, movements unrehearsed, speech halting in a way that paradoxically brings the seventeenth century closer than any glossier costume drama has managed. This aesthetic choice is not incidental but political.
The historiography of the English Revolution that emerged from the postwar period — above all in the work of Christopher Hill, whose account of the radical undercurrents of the 1640s gave the Diggers and Ranters their due as serious historical actors rather than eccentric footnotes — insisted that the revolution had a submerged current far more radical than Cromwell’s Independency, one that anticipated later socialist and communist thought by centuries. Winstanley’s own writings, with their demand that the earth “be made a common treasury for all” and their attack on buying and selling, on landlordism, on the very basis of private property, place him unmistakably in that current. Brownlow and Mollo’s film, whatever its limitations, is one of the few serious attempts by anyone to bring this history to a mass audience through the medium of cinema.
The film’s weaknesses are real. Cromwell never appears, a curious absence given that he — far more than Fairfax, who does — was the chief architect of the crushing of the Levellers, Diggers and the left wing of the revolution generally, and his political logic (that the “levelling principle” if allowed to run its course would abolish the distinction between landlord and tenant altogether, and must therefore be suppressed) is essential to understanding why the Digger colony was doomed almost from its founding. Its absence leaves a gap in the film’s account of the forces arrayed against Winstanley: the violence he faced came not only from hostile local landowners and the soldiery but from the political calculation of the new bourgeois state consolidating itself in the aftermath of the king’s execution. A film with greater resources might have found room to dramatize that conflict more fully. Yet this is a criticism of degree, not of kind.
What Brownlow and Mollo achieve, with almost nothing, is a portrait of poverty, hunger and resolve that avoids both sentimentality and condescension — the two besetting sins of nearly every subsequent attempt at “peasant” historical drama. The commune’s poverty is shown as material fact, not picturesque suffering; its members are not saints but people driven to an extraordinary political conclusion by extraordinary circumstances. Miles Halliwell’s Winstanley is not an inspirational speechmaker but a man working out, with visible effort, what it might mean to act on the conviction that the earth belongs to no one and to everyone.
Brownlow made the film at a moment — the tail end of the 1960s radicalization — when the question of what had gone wrong with official politics pressed on him directly; he later spoke of his disillusionment with a Labour Party and Conservative Party that had become indistinguishable from one another. That disillusionment does not make the film didactic or present‑minded in any crude sense — there is no attempt to dress the seventeenth century up as an allegory of 1968 — but it does explain the seriousness with which the film treats its subject, and its refusal to condescend to a movement whose defeat did not make it any less prescient.
Cinema and Bourgeois Historical Consciousness
This seriousness also marks Winstanley out from the broader landscape of British historical cinema, which has long been shaped by the ideological limits of bourgeois historical consciousness. Bourgeois culture can tolerate Cromwell the statesman, Fairfax the gentleman, even the Levellers as proto‑liberals. What it cannot accommodate — what it must repress — is a movement that exposes the class foundations of the society that remembers it. The Diggers are unassimilable because they represent a negation of the very property relations on which bourgeois society rests. To show them truthfully is to show that capitalism was not the inevitable outcome of the seventeenth century but the result of a political defeat.
Mainstream cinema cannot show this defeat because it cannot show the class struggle that produced it. The conventions of bourgeois historical drama — the focus on “great men,” the fetish for costume, the smoothing of conflict into personal dilemmas — obscure the structural antagonisms that drive history. Cromwell becomes a man wrestling with conscience rather than the representative of a rising bourgeois order; the Levellers become democratic idealists rather than the petty‑bourgeois left wing of a revolution whose logic they could not control; the Diggers disappear entirely or are rendered as picturesque eccentrics.
Winstanley breaks this pattern not through rhetorical radicalism but through its aesthetic refusal of heritage cinema. Its stark photography, non‑professional cast, and attention to hunger, cold and labour reject the visual luxuries through which bourgeois cinema domesticates the past. The film’s poverty becomes a political resource: it forces the seventeenth century to appear as a world of material struggle rather than decorative nostalgia. In doing so, it exposes the ideological poverty of mainstream historical cinema, which cannot imagine a past in which capitalism was not the horizon of human development.
The rarity of such a film is itself a historical fact. Bourgeois society can tolerate many kinds of dissent, but it cannot tolerate a representation of its own birth as a moment of counter‑revolution. To show the Diggers truthfully is to show that capitalism emerged through the suppression of a communist alternative — and that is a truth bourgeois cinema, almost by definition, cannot speak.
Conclusion
More than three and a half centuries after St George’s Hill, the conditions that produced Winstanley’s movement — landlessness, social inequality, a political establishment offering no way out — have not disappeared; if anything, the gulf between the propertied and the propertyless has widened enormously since 1975. Winstanley is not, and does not pretend to be, a complete history of the revolution’s left wing. But as a serious, unglamorized attempt to put the Diggers and their ideas before an audience, it remains close to unique, and repays the effort of seeking it out.
Monday, 19 March 2012
On the historiography of the English Civil War
Tuesday, 13 March 2012
Should the English Civil War Be At the Heart of the National Curriculum?
Monday, 30 January 2012
Correspondence On Speeches Of Oliver Cromwell, 1644-1658 (1901) [Paperback] , Charles L. Stainer (Editor)
Chris Thompson Wrote
Oliver Cromwell's early years before 1640 have recently been illuminated by the work of Andrew Barclay in his "Electing Cromwell. The Making of a Politician", published by Pickering and Chatto in February, 2011. John Morrill review it enthusiastically in the May, 2011 edition of History Today.
Christopher Thompson´s blog can be found at http://earlymodernhistory1.blogspot.com/
Friday, 27 January 2012
Speeches Of Oliver Cromwell, 1644-1658 (1901) [Paperback] , Charles L. Stainer (Editor)
Hopefully, the OUP team can develop Stainer's work and take it to a much higher level and do justice to Cromwell.
Thursday, 19 January 2012
A “Masterclass in Scholarship” or an Ideological Retreat? John Morrill’s Cromwell Edition and the Politics of Historical Revisionism
Carlyle’s Edition and the Revolutionary Tradition
Thomas Carlyle’s 1845 edition of Cromwell’s writings was a
landmark in nineteenth‑century historiography. Despite his limitations—his
“great man” theory and his later reactionary turn—Carlyle possessed the
intellectual courage to recognise Cromwell as a revolutionary figure. Marx
praised Carlyle for having “taken the literary field against the bourgeoisie at
a time when its views, tastes and ideas held the whole of official English
literature totally in thrall,” citing “his apology for Cromwell” as one of his
most significant interventions.²
Carlyle understood, however imperfectly, that the English
Civil War was not a constitutional misunderstanding but, in the words of the
uploaded document, “a world-historical convulsion in which a class seized power
through the execution of a king.”³ This insight—partial, distorted, but
nonetheless real—explains why Marx and Engels valued Carlyle’s work. They
recognised in the English Revolution the first great bourgeois revolution, the
event that cleared the ground for capitalist development and inaugurated the
modern epoch.
Carlyle’s edition was flawed, as the document acknowledges:
“his transcriptions were not always reliable, his selection was idiosyncratic,
his commentary was infused with his own increasingly authoritarian worldview.”⁴
But these were the flaws of a bourgeois radical struggling to articulate the
class dynamics of a revolution whose full meaning only Marxism could later
reveal.
The Rise of Revisionism and Morrill’s Role
John Morrill is not a neutral editor. He is a leading figure
of the revisionist school that has dominated English Civil War historiography
since the 1970s. This tendency—associated with Conrad Russell and others—denies
that the 1640s constituted a bourgeois revolution. It rejects the notion of a
rising bourgeoisie, dismisses the class character of the conflict, and
reinterprets the revolution as a contingent political or religious crisis.
The revisionists insist that “there was no bourgeois revolution because
there was no rising bourgeoisie and that people from all social classes can be
found on either side of the struggle.”⁵ Even Cromwell, they argue, was not a
revolutionary but “a representative of the declining gentry.”⁶
This is the intellectual framework within which Morrill has
worked for decades. His edition is therefore, as the document states, “not a
politically innocent replacement of a ‘flawed’ Victorian text with a
‘scientific’ modern one. It is an intervention in a long-running class struggle
within historiography.”⁷
What Revisionism Seeks to Erase
The revisionist school does not correct Carlyle’s
limitations from a more advanced standpoint. It retreats from them. It denies
that the English Revolution was a revolution at all.
Against this retreat, Christopher Hill’s Marxist
historiography stands as a towering achievement. Hill demonstrated in God’s
Englishman that Cromwell was a revolutionary leader of the bourgeoisie: a
man who purged Parliament until it reflected the needs of his class, built the
New Model Army as an instrument of revolutionary power, and suppressed the
Levellers when they threatened to push the revolution beyond the limits of
capitalist development. Hill’s position was that Cromwell “must be understood as a revolutionary leader of the bourgeoisie… who
suppressed the Levellers when the plebeian elements threatened to push the
revolution beyond the limits required for capitalist society.”⁸
Hill’s work followed Trotsky’s analysis in Where Is
Britain Going?, which identified two revolutionary traditions in British
history—Cromwell and Chartism—both of which were systematically denied by the Whig myth of
gradualism. Revisionism, for all its claims to sophistication, represents a
return to this Whig outlook: the comforting fiction that Britain has been
uniquely blessed with peaceful, incremental change. As the document notes,
Simon Schama proudly declares himself “a born-again Whig.”⁹
The Political Meaning of Today’s Acclaim
The universal praise for Morrill’s edition is not a matter
of scholarly merit alone. It reflects the political trajectory of the
bourgeoisie itself. The class that once celebrated Cromwell as its
revolutionary ancestor now finds that ancestry embarrassing. Having long since
abandoned all progressive historical tasks, the bourgeoisie prefers to pretend
that revolution never happened.
The bourgeoisie now insists that “the execution of Charles I was a regrettable incident, that the Levellers were irrelevant extremists, and that the whole unpleasant episode could have been avoided if only people had been more reasonable.”¹⁰This ideological sanitisation is not accidental. It serves contemporary political needs. A ruling class that fears revolution must deny that revolutions have ever been necessary, progressive, or successful.
Hence, the “unanimity of the acclaim” for Morrill’s edition. It “conforms to what the contemporary historical profession wants to believe about the seventeenth century and about revolution in general.”¹¹ A genuinely critical edition—one that illuminated rather than obscured the class forces at work—would not receive such praise.
The Working Class and the Revolutionary Heritage
The working class has every interest in understanding the
English Revolution for what it was: the first in the series of bourgeois
revolutions that created the conditions for modern capitalism and, in doing so,
brought into being the proletariat itself.
The revolutionary traditions of the bourgeoisie—however
historically limited—belong not to today’s anaemic liberalism but to the
international working class. As the document concludes, these traditions
“belong to the heritage of the international working class – not to the
anaemic, phlegmatic liberalism that now disowns them.”¹²
To defend the revolutionary content of the English Civil War
is therefore not an antiquarian exercise. It is part of the broader struggle to
arm the working class with an understanding of the historical processes that
shaped the modern world—and to expose the ideological falsifications through
which the bourgeoisie seeks to obscure its own past and the revolutionary
future that confronts it.
Notes
- “This is a significant publication… the
universal acclaim from the historical profession should itself be
interrogated.”
- Ibid.:
Marx praised Carlyle for “having taken the literary field against the
bourgeoisie… citing specifically ‘his apology for Cromwell’.”
- Ibid.:
Carlyle recognised the Civil War as “a world-historical convulsion in
which a class seized power through the execution of a king.”
- Ibid.:
“His transcriptions were not always reliable… his commentary was infused
with his own increasingly authoritarian worldview.”
- Ibid.:
“There was no bourgeois revolution because there was no rising
bourgeoisie…”
- Ibid.:
“Even Cromwell… can better be understood as a representative of the
declining gentry.”
- Ibid.:
Morrill’s edition “is an intervention in a long-running class struggle
within historiography.”
- Ibid.:
Cromwell “must be understood as a revolutionary leader of the bourgeoisie…
who suppressed the Levellers…”
- Ibid.:
“Simon Schama… happily declares himself ‘a born-again Whig.’”
- Ibid.:
The bourgeoisie now claims “the execution of Charles I was a regrettable
incident…”
- Ibid.:
Morrill’s edition “conforms to what the contemporary historical profession
wants to believe…”
- Ibid.:
“The revolutionary traditions of the bourgeoisie… belong to the heritage
of the international working class.”
Tuesday, 20 December 2011
Alison Stuart commented on What do we really know about Oliver Cromwell by Professor John Morrill? The First Barry Coward Memorial
Monday, 19 December 2011
John Morrill, Bourgeois Historiography, and the Marxist Question of the English Revolution
Professor John Morrill’s inaugural Barry Coward Memorial
Lecture, delivered under the auspices of the Birkbeck Early Modern Society, was
by any measure an impressive scholarly performance. Morrill is one of the most
accomplished historians of the English Revolution working today, and his five‑volume
edition of Cromwell’s writings — supported by a substantial Leverhulme grant —
will undoubtedly become the definitive textual resource for future scholarship.
His tribute to Barry Coward was warm, sincere, and entirely fitting.
But Morrill’s lecture, and the monumental editorial project
it announced, also exposes the deeper limits of contemporary Cromwell studies.
It reveals a historiographical method that is technically rigorous yet
politically anaemic; a scholarship capable of restoring Cromwell’s words with
unprecedented precision while leaving the social and class content of the
English Revolution fundamentally untouched.
From a Marxist perspective, Morrill’s method exemplifies the
wider trend in bourgeois historiography: focusing on textual precision and
individual agency, which masks the revolutionary forces of the 1640s and the
social classes that shaped Cromwell. This essay presents a summary of Morrill’s
lecture alongside a Marxist critique of its underlying historiographical
approach.
Morrill’s Project: Restoring Cromwell’s Voice
Morrill announced a much-needed scholarly project: a
detailed, critically edited collection of Cromwell’s speeches and writings.
Current editions—Carlyle’s romanticised 1845 compilation and Lomas’s 1904
revision—are full of errors, missing details, and editorial changes. Morrill’s
team of eight editors plans to produce the most accurate text yet by examining
all manuscripts and printed editions, aiming to eliminate two centuries of
inaccuracies.
The example he offered — two versions of Cromwell’s speech
opening the Barebones Parliament highlights the issue. A 1654 version refers to
“the day of the power of Christ,”. In contrast, a later edition softens this to
“a day of the power of Christ,” subtly transforming Cromwell from an
apocalyptic prophet to a devout statesman. Morrill contended that these
modifications add up to a significantly changed perception of Cromwell. The
project is undoubtedly valuable, as it aims to provide scholars with the most
precise texts of Cromwell ever compiled. However, ensuring textual accuracy
does not necessarily mean that the historical understanding will be equally
precise.
The Fetish of Accuracy: A Technical Solution to a
Political Problem
Morrill’s lecture consistently focused on the importance of
“accuracy.” He pointed out Carlyle's carelessness, Lomas's slight improvement,
and Abbott's strong ideological stance. Morrill’s edition aims to address these
issues. However, this focus on textual precision reveals a broader
methodological belief: that understanding Cromwell depends on finding his
“true” words. This approach reflects scholarly obsession — the idea that the
authentic sentence will reveal the genuine Cromwell.
A Marxist perspective emphasises the importance of class
struggle in understanding Cromwell’s words. Whether he referred to “the day of
the power of Christ” or “a day” is less important than analysing the social
forces behind his speech. The key questions are: what social interests
motivated Cromwell’s language, and how did it serve revolutionary goals?
Morrill’s method falls short because it views Cromwell’s speeches as isolated
entities, ignoring their role as ideological expressions shaped by class interests.
Cromwell as a Figure Re‑Made to Suit Ruling‑Class Needs
Morrill recognised that each
century has its own version of Cromwell—whether Carlyle’s Victorian hero,
Abbott’s proto-fascist leader, or the moderate constitutional figure of the
mid-century—each reflecting the ideological needs of its time. However, Morrill
did not explore the deeper implication: Cromwell’s image is not merely
misinterpreted but is intentionally constructed as a political tool. Bourgeois
historiography repeatedly reimagines Cromwell to reinforce the ideological
foundations of the modern British state. From a Marxist perspective, Cromwell
cannot be viewed as a timeless “great man.” Instead, he must be seen as the
political representative of an emerging bourgeois class whose interests called
for the dismantling of feudal absolutism, the creation of a national market,
the consolidation of capitalist property, and the suppression of plebeian
democratic movements. This is the version of Cromwell that bourgeois
historiography refuses to acknowledge—and thus remains invisible.
Against Revisionism: The
Bourgeois Evasion of the English Revolution
For over forty years,
"revisionist” Civil War scholarship has held sway in the British academic
world. It claims to be objective, fact-based, and opposed to Whig history.
However, it is actually the most politically cautious interpretation ever used
to analyse the English Revolution. Its main accomplishment has been to
undermine the idea of revolution itself—instead portraying a major historical
turning point as merely a collection of local conflicts, religious feelings,
and personal miscommunications.
Revisionism’s approach is
straightforward: break down, remove politics, and dissolve distinctions. While
earlier thinkers viewed history as a revolutionary clash between social orders,
revisionists see only “multiple kingdoms,” “local contexts,” and "parish
politics." Where Marxists highlight the rise of the bourgeoisie and the
fall of feudal absolutism, revisionists claim class is “anachronistic,”
“over-systematised,” or simply “not evident in the sources.” Similarly,
movements like the Levellers and Diggers, originally seen as democratic and
proto-communist, are reinterpreted by revisionists as “pressure groups,”
“agitators,” or “political minorities.”
The outcome is a
historiography where events lack intentional causes, especially social ones.
The English Revolution appears as a chain of accidents. Cromwell is seen as a
man responding to crises. The New Model Army is viewed as a disciplinary issue.
Ireland is considered a tragic misunderstanding. Radicalism is dismissed as
mere noise. This is not genuine scholarship; it is ideological suppression.
Revisionism appeared in the
late 20th century, coinciding with the British academy's move away from social
history, class analysis, and materialist views. It presents a reassuring story:
the Civil War was not a revolution but just a “war of three kingdoms.” Its
participants are seen not as representatives of social forces, but as
individuals driven by religious differences. Its conclusion is not the end of
feudalism but just a constitutional adjustment. Essentially, revisionism
rejects the revolution to dismiss its repercussions.
It cannot acknowledge that the
English Revolution was a bourgeois revolution. It cannot acknowledge that
Cromwell was the political instrument of a rising class. It cannot acknowledge
that plebeian movements represented the unfulfilled democratic content of the
struggle. It cannot acknowledge that revolutionary violence was structurally
necessary.
Instead, it presents a
Cromwell who is psychologically nuanced but socially insubstantial, a
Parliament that is complex in structure yet devoid of class distinctions, and a
revolution that paradoxically isn't truly a revolution. This is why revisionism
has become so appealing to the modern academy: it sanitises history. It strips
away the explosive elements of the 1640s—the overthrow of monarchy, the mobilisation
of people with low incomes, the rise of democratic calls, and the development
of capitalist social relations—and substitutes a politically neutral mosaic of
“contexts." A Marxist critique pierces through this illusion. The English
Revolution was not a mistake, nor a local crisis, nor a religious conflict. It
was the first major bourgeois revolution, and its contradictions—its
radicalism, violence, and repression of democratic forces—mirror the
conflicting interests of the class driving it. Revisionism fails to recognise
this because it cannot accept it. Its goal isn't to explain the revolution but
to diminish its significance.
Ireland and the Politics of Sanitisation
The most insightful part of Morrill’s lecture focused on
Ireland. He highlighted uncertainties in casualty numbers, questioned the
reliability of Cromwell’s letters, and noted Parliament’s tendency to
"tidy up” his words. He carefully differentiated between civilians killed
in combat and those killed after surrender. While this stance of meticulous
neutrality seems objective, it serves a political purpose by diverting
attention from the underlying reality: the Irish campaign was an element of the
brutal consolidation of a new bourgeois state.
The Drogheda massacre—regardless of how its details are
reconstructed—was not merely a tragic mistake. It was a calculated act of
terror executed by a revolutionary force whose triumph depended on dismantling
the ancient Irish order. Morrill’s approach, by emphasising textual
uncertainty, downplays the revolutionary violence central to the English
bourgeois revolution.
Morrill’s approach exemplifies
the broader shift towards revisionism in Civil War historiography. This
perspective critiques the traditional Whig narrative of constitutional
progress, replacing it with an equally ideological focus on local grievances,
religious sensitivities, and individual agency. It breaks down the revolution
into a series of contingencies, interprets class struggle through cultural
anthropology, and views Cromwell as a psychologically intricate individual
managing crises. Instead of seeing the revolution as driven by material forces,
it portrays it as a patchwork of personal decisions. Conversely, a Marxist
perspective argues that Cromwell was not merely contingent but a necessary
outcome—shaped structurally by the decline of feudalism and the rise of the
bourgeoisie.
The Erasure of Radical Movements
A key aspect of Morrill’s historiography is how it downplays
radical movements. Levellers, Diggers, and Army agitators—the democratic and
proto-communist groups of the 1640s—are only seen as “pressures” on Cromwell,
not as independent class movements driven by their own historical logic.
Cromwell’s suppression of these groups is viewed as political prudence, not as
a reflection of his role in defending property and supporting the “gentlemen
Independents." This approach is not objective scholarship; it reduces
plebeian politics to mere background noise, ideologically diminishing their
significance.
The Cleaned Portrait Without the Canvas
Morrill concluded his lecture with a metaphor: Cromwell is
like a Great Master painting that takes on a new life when cleaned and
restored. The metaphor is insightful—Morrill restores the portrait but leaves
the canvas untouched. The Cromwell he depicts is precise in text but stripped
of political context, portraying him as a man of conscience rather than a
revolutionary. A Marxist perspective argues that Cromwell’s significance lies
not in his personality but in his role as the military and political representative
of a rising bourgeoisie, both triggering and holding back revolution. Morrill’s
approach cannot uncover this deeper, class-based understanding of Cromwell
because it doesn't address the class dynamics of the English Revolution.
What We Really Know About Cromwell
Morrill’s edition will be
invaluable, providing the most precise collection of Cromwell texts to date.
However, it won’t answer the fundamental question Morrill asked: What do we
truly know about Oliver Cromwell? To truly understand Cromwell, we must grasp
the class forces that drove him to power, the economic changes that enabled the
revolution, the social tensions that influenced his religious rhetoric, and the
historical necessity that positioned him as the figurehead of a rising
bourgeois class. Achieving this understanding requires a Marxist analysis—an
approach that the bourgeois academy has largely avoided for decades. Morrill’s
project cleaned the portrait. It will not reveal the painter.
Sources and Bibliography
Primary Sources on Revisionism
- Fulbrook,
Mary. “The English Revolution and the Revisionist Revolt.” Journal
of Modern History. A foundational critique of revisionist approaches,
surveying Conrad Russell, Kevin Sharpe, Paul Christianson, and others.
- Russell,
Conrad. Parliaments and English Politics, 1621–1629. Oxford
University Press, 1979. A key text in the revisionist dismantling of
long-term social explanations.
- Russell,
Conrad. The Origins of the English Civil War. Macmillan, 1973. The
central revisionist statement rejecting class-based interpretations.
- Morrill,
John. The Revolt of the Provinces: Conservatives and Radicals in the
English Civil War, 1630–1650. Longman, 1980 (orig. 1976). A major
revisionist work emphasising localism and provincial grievances.
- Sharpe,
Kevin (ed.). Faction and Parliament: Essays on Early Stuart History.
Oxford University Press, 1978. A revisionist collection emphasising
political culture over social structure.
- Christianson,
Paul. “The Causes of the English Revolution: A Reappraisal.” Journal
of British Studies 15:2 (1976), 40–75. A revisionist attack on Marxist
and Whig causal frameworks.
- Ashton,
Robert. The English Civil War: Conservatism and Revolution 1603–1649.
Weidenfeld & Nicolson, 1978. Often grouped with revisionists for its
scepticism toward long-term structural causes.
Responses to Revisionism
- Hexter,
J. H. “Power Struggle, Parliament, and Liberty in Early Stuart
England.” Journal of Modern History 50:1 (1978), 1–50. A
rebuttal defending structural and ideological explanations.
- Hill,
Christopher. “Parliament and People in Seventeenth-Century England.”
Past & Present 92 (1981), 100–124. A Marxist counter-argument
emphasising popular mobilisation.
- Rabb,
T. K. “The Role of the Commons.” Past & Present 92
(1981), 55–78. A critique of revisionist minimisation of parliamentary
radicalism.
- Hirst,
Derek. “The Place of Principle.” Past & Present 92
(1981), 79–99. A defence of ideological and principled motivations against
revisionist reductionism.
Marxist and Social-Historical Works
- Hill,
Christopher. The World Turned Upside Down: Radical Ideas During the
English Revolution. Penguin, 1972. The classic Marxist study of
Levellers, Diggers, and plebeian radicalism.
- Hill,
Christopher. The English Revolution 1640. Lawrence & Wishart,
1940. Foundational Marxist interpretation of the revolution as a bourgeois
upheaval.
- Bernstein,
Eduard. Cromwell and Communism: Socialism and Democracy in the Great
English Revolution. Allen & Unwin, 1930. A pioneering Marxist
analysis of radical democratic and proto-communist movements.
- Manning,
Brian. The English People and the English Revolution. Heinemann,
1976. A major social-history rebuttal to revisionism, emphasising class
mobilisation.
- Manning,
Brian. The Far Left in the English Revolution. Bookmarks, 2006. A
detailed study of radical class forces suppressed by Cromwell.
- Shaw,
A. L. The Levellers. Longman, 1968. A key study of democratic
radicalism within the New Model Army.
Historiographical Context
- Fulbrook,
Mary. “The English Revolution and the Revisionist Revolt.” Journal
of Modern History. Essential for situating revisionism within broader
historiographical debates.
- Rosenberg,
John S. “Toward a New Civil War Revisionism.” Journal of Modern
History. Although focused on the American Civil War, it provides a
comparative framework for understanding revisionist cycles in national
historiography.



