This edition, by returning to Cromwell's actual writings and
statements, pierces through the ideological haze and confronts the true
historical forces of the seventeenth century: class conflict, religious
radicalism as a sign of social upheaval, and the complex figure of Cromwell
himself, who represented both the revolutionary overthrow of the old regime and
the constraints of the rising bourgeoisie. This isn’t just about fixing
footnotes; it’s about reclaiming the English Revolution from two centuries of
distortion.
The Manufacture of a Bourgeois Cromwell
Jackie Eales demonstrates that the version of Cromwell
familiar to popular memory is mostly a construct from the nineteenth and
twentieth centuries. The commonly cited 'warts and all” comment—often used as
evidence of Cromwell’s supposed modernity—is in fact an eighteenth-century
fabrication. Similarly, the well-known quip dismissing the Rump Parliament,
“you have sat too long here... in the name of God, go!”, is not from the
seventeenth century; it is a 1940 parliamentary remark by Leo Amery, aimed at Chamberlain,
and taken from Carlyle’s 1845 edition.
Carlyle played a crucial role in shaping this ideological
reconstruction. His edition, once seen as definitive, was created with
considerable liberty — including reworded sections, added commentary, and even
forged documents. Nonetheless, Carlyle’s portrayal of Cromwell evolved into the
archetype for Victorian liberalism — portraying Cromwell as an early
parliamentarian, a constitutional moderate, and a revolutionary whose actions
could be seen as the nascent stages of bourgeois democracy.
Cromwell and the Manufacture of a Usable Past
Few figures in English history have undergone as prolonged
an effort of ideological redefinition as Oliver Cromwell. This redefinition has
never been purely academic; since the eighteenth century, it has served as a
political tool: transforming a mid-seventeenth-century revolutionary leader
into a figure that suits the agendas of subsequent ruling elites. The new
Oxford edition of The Letters, Writings, and Speeches of Oliver
Cromwell—comprehensive and rigorously faithful to the original documents—presents
a direct challenge to this longstanding mythmaking. It urges us to view
Cromwell not through the lens of Victorian liberalism nor as a caricature by
twentieth-century reactionaries, but as a complex reflection of a society in
the midst of revolutionary change.
To understand why Cromwell has been so frequently rewritten,
it's essential to consider the nature of the English Revolution itself. Marxist
theory describes it as a bourgeois revolution expressed through religious
means: the overthrow of feudal absolutism by a rising class whose ideological
language was still tied to theology. The social forces that dismantled the
monarchy, abolished the House of Lords, and executed Charles I could not
clearly articulate their goals in secular, materialist terms. Instead, they
relied on concepts of providence, divine reformation, and divine judgment.
Cromwell, as the most skilled military and political leader of this movement,
exemplified its contradictions: acting as a revolutionary, yet justified by
divine providence; being radical in destruction but conservative in settlement.
Later generations found this complexity unacceptable. The
ruling elite after 1688 needed a genealogy that supported its constitutional
legitimacy. The English Revolution, with its regicide and republican
experiment, was seen as an embarrassment—too radical, violent, and overtly
destructive of monarchy. Cromwell had to be softened. The process began in the
eighteenth century through anecdotal invention and culminated in the nineteenth
century with Carlyle’s extensive yet biased edition of Cromwell’s writings.
Carlyle’s Cromwell differed from the original documents; he was portrayed as a
Victorian moral hero—characterful, sincere, and an early Liberal ideal. Carlyle
altered passages, added commentary, and even included forged documents to craft
a Cromwell who could be seen as an ancestor of bourgeois constitutionalism.
This was mythmaking used to reinforce class dominance. The
revolutionary Cromwell—who saw regicide as divine will, dissolved parliaments
when they opposed him, and prioritised divine commands over constitutional
norms—did not align with Britain's stable parliamentary system in the 19th
century. Therefore, a new figure resembling Cromwell needed to be created: one
who could be represented as a pioneer of modern liberty instead of a destroyer
of the old order.
The twentieth century introduced its own distortions. During
crises, Cromwell was frequently reinterpreted. Leo Amery’s 1940 attack on
Chamberlain, with its faux quote "in the name of God, go!”, was not a
genuine historical remark but a political tool. Cromwell was portrayed as a
symbol of parliamentary strength, invoked to defend the constitutional order
that his revolution had momentarily overturned. Meanwhile, reactionary
historians crafted the opposite myth: portraying Cromwell as a proto-fascist
dictator and a forerunner of modern tyranny. Both narratives catered to current
agendas and obscured the real historical figure of Cromwell.
The new Oxford edition clearly departs from previous
traditions by meticulously assembling the documents, thereby reestablishing
Cromwell's role within the revolutionary crisis that shaped him. The Cromwell
presented here is neither a liberal hero nor a fascist villain but a figure
influenced by the class forces of his era. His religious language is not
indicative of personal eccentricity but represents the ideological framework
through which the revolutionary bourgeoisie interpreted its struggles. His political
actions—such as military victories, dissolutions of parliament, and
constitutional experiments—mirror a class trying to dismantle feudal power
while simultaneously fearing the radical potential of the popular forces that
contributed to that transformation.
Ireland: The Colonial Violence of the Bourgeois
Revolution
Victorian mythmaking never fully captured the history of
Cromwell’s 1649 Irish campaign, and the new edition resists sanitisation. The
documents affirm what Irish memory has always recognised: Drogheda and Wexford
were massacres, not mere battle excesses. Resistance had already ceased before
civilians and soldiers were killed. This exposes the limitations of the
bourgeois revolution—while it toppled the English monarchy, it also carried out
a colonial war marked by extreme brutality. The rising English bourgeoisie, fighting
for political power domestically, also pursued imperial dominance
internationally. The ideas of providence and a divine mission provided a
convenient justification for the material reality: the expansion of English
capitalism. Victorian liberalism could not accept this, and twentieth-century
parliamentarianism avoided it altogether. The new edition does neither;
instead, it restores the record to its full, uncomfortable clarity.
Why does this matter? Because historical mythmaking is never
innocent. The transformation of Cromwell into a constitutional moderate was
part of a broader ideological project: the rewriting of the English Revolution
as a precursor to the stable parliamentary order that followed. This narrative
obscures the revolutionary nature of the seventeenth century, erases the class
struggle at its core, and transforms a moment of genuine social rupture into a
comforting origin story for bourgeois rule.
Restoring Cromwell to history—stripped of Carlylean
invention, Victorian sanitisation, and twentieth‑century distortion—is
essential for understanding the English Revolution on its own terms. It reveals
a society in transition, a class overthrowing feudal power, and a leader whose
actions cannot be understood outside the revolutionary dynamics that shaped
them.
What the Documents Reveal: Revolution in Religious Form
The Cromwell depicted in the documents isn't the hero from
Carlyle or the caricature of a proto-fascist dictator from the twentieth
century. Instead, he is a more historically tangible figure: a revolutionary
shaped by the tensions of a society shifting from feudalism to capitalism.
Cromwell’s use of religious language was more than mere decoration; it was the
ideological language through which the revolutionary bourgeoisie and their
allies understood their fight. When Cromwell spoke of his early life as being
amid spiritual “darkness,” or saw victories at Marston Moor, Dunbar, and
Worcester as divine acts, he was expressing—using the only vocabulary at his
disposal—the awareness of a class breaking away from the old order but
struggling to articulate its goals in secular, materialist terms.
This is exactly why it is historically incorrect to try to
link Cromwell to the tradition of liberal constitutionalism. He justified
regicide as divine justice, contemplated the crown in spiritual terms, and prioritised
God's will over constitutional norms. Therefore, transforming him into a Whig
predecessor ignores the revolutionary essence of his actions. The editors’
success lies in reestablishing Cromwell as a product of the revolutionary
crisis—complex, providential, radical, and closely connected to the class
forces he led.
Why Accuracy Matters: Reclaiming the Revolution
Correcting Carlyle’s distortions isn't just antiquarian
fussiness; it's essential for reclaiming the true story of the English
Revolution from bourgeois historiography. Each phase of Cromwell’s
mythmaking—whether Walpole’s anecdote, Carlyle’s editorial choices, or Amery’s
wartime rhetoric—served to reshape him to fit the ideological needs of the
ruling class. As a result, Cromwell has been depicted variably as a democrat,
tyrant, patriot, or proto-liberal, depending on the prevailing narrative.
The new edition breaks that cycle. It forces us back to the
seventeenth century, to a revolutionary crisis whose central figure was neither
a secular constitutionalist nor a simple despot, but a man formed by — and
inseparable from — the religious, social, and class upheaval of his age. To
understand Cromwell is to understand the English Revolution as a bourgeois
revolution in religious form — radical in its destruction of feudal power,
limited in its inability to transcend the ideological frameworks of its own
class.
Priced at £190 per volume, this edition will primarily
reside in university libraries. It features dense annotations and formidable
scholarship. However, its importance extends well beyond its expected audience.
By removing two centuries of ideological distortions, it repositions Cromwell
within the revolution that shaped him—a complex figure marked by
contradictions, providence, ruthlessness, and a tendency to resist sanitisation.
For scholars of the English Revolution, it is essential. For those interested
in how ruling classes craft influential narratives of the past, it offers
profound insights.
Sources and Bibliography
Primary Sources
- Cromwell,
Oliver. The Letters, Writings, and Speeches of Oliver Cromwell,
Vols. I–III. Ed. Andrew Barclay, Tim Wales, John Morrill, Elaine Murphy,
Micheál Ó Siochrú, Jason Peacey, Joel Halcomb, Patrick Little, and David
L. Smith. Oxford University Press, 2023.
- Carlyle,
Thomas. Oliver Cromwell’s Letters and Speeches: With Elucidations.
Chapman and Hall, 1845. (Important chiefly as an example of nineteenth‑century
editorial intervention and mythmaking.)
- Walpole,
Horace. Anecdotes of Painting in England. 1762–71. (Source
of the invented “warts and all” anecdote.)
- Amery,
Leo. House of Commons Speech, 7 May 1940. (Origin of the modern “in
the name of God, go!” line falsely attributed to Cromwell.)
- Rushworth,
John. Historical Collections. 1659–1701. (Contemporary
documentary material on the Civil Wars and Interregnum.)
- Thurloe,
John. A Collection of the State Papers of John Thurloe. 1742. (Key
administrative and diplomatic papers from the Protectorate.)
Secondary Sources: Cromwell and the English Revolution
Modern Scholarship
- Morrill,
John. Oliver Cromwell and the English Revolution. Longman,
1990. (Essential for understanding Cromwell’s religious-political
worldview.)
- Eales,
Jackie. “The Myth of Cromwell.” History Today, Vol. 73, No. 3
(2023). (Concise account of the invention of Cromwellian myths.)
- Peacey,
Jason. Print and Public Politics in the English Revolution.
Cambridge University Press, 2013. (On the ideological construction of
political figures in the 1640s–50s.)
- Reid,
Kirsten. Cromwell’s War Machine: The New Model Army and the
Revolution. Manchester University Press, 2021.
- Ó
Siochrú, Micheál. God’s Executioner: Oliver Cromwell and the
Conquest of Ireland. Faber & Faber, 2008. (The definitive
account of Drogheda and Wexford.)
- Woolrych,
Austin. Britain in Revolution, 1625–1660. Oxford University
Press, 2002. (A comprehensive political narrative.)
- Smith,
David L. Oliver Cromwell: Politics and Religion in the English
Revolution. Cambridge University Press, 1991.
Marxist and Materialist Historiography
- Marx,
Karl. “Revolution and Counter-Revolution in Germany.” 1851–52. (Foundational
analysis of bourgeois revolutions; relevant for framing the English case.)
- Engels,
Friedrich. The Peasant War in Germany. 1850. (On the
ideological forms of early bourgeois revolutions.)
- Hill,
Christopher.
- The
World Turned Upside Down: Radical Ideas During the English Revolution.
Penguin, 1972.
- God’s
Englishman: Oliver Cromwell and the English Revolution. Penguin,
1970.
- The
English Revolution 1640. Lawrence & Wishart, 1940. (Hill
remains indispensable for understanding the class dynamics and
ideological contradictions of the revolution.)
- Manning,
Brian. The English People and the English Revolution.
Bookmarks, 1991. (A class analysis of the revolutionary process.)
- Rees,
John. The Leveller Revolution: Radical Political Organisation in
England, 1640–1650. Verso, 2016. (On the popular forces whose
pressure shaped Cromwell’s actions.)
- Callinicos,
Alex. The Revolutionary Ideas of Karl Marx. Bookmarks, 1983. (Useful
for framing bourgeois revolutions within Marxist theory.)
Mythmaking, Ideology, and Historical Memory
- Hobsbawm,
Eric. The Invention of Tradition. Cambridge University Press,
1983. (Framework for understanding Cromwell’s later ideological
reconstruction.)
- Cannadine,
David. Ornamentalism: How the British Saw Their Empire.
Penguin, 2001. (On imperial ideology; relevant to Cromwell’s Irish
campaign.)
- Greenblatt,
Stephen. Renaissance Self-Fashioning. University of Chicago
Press, 1980. (Useful for analysing how figures like Cromwell are
constructed in cultural memory.)
- Kelsey,
Sean. “The Death of Oliver Cromwell.” Historical Journal, 1999.
(On the political uses of Cromwell’s image after 1658.)
Archival and Documentary Collections
- British
Library Manuscripts (Thurloe Papers, State Papers Domestic).
- National
Archives (SP 18, SP 25, and Interregnum administrative records).
- Bodleian
Library (Carte Manuscripts; Rawlinson MSS).
- Cambridge
University Library (Morrill Papers; Cromwellian correspondence).
Suggested Further Reading for Marxist Analysis
- Trotsky,
Leon. The History of the Russian Revolution. 1930. (For
comparative revolutionary dynamics and the dialectic of leadership and
class forces.)
- Anderson,
Perry. Lineages of the Absolutist State. Verso, 1974. (On
the transition from feudalism to capitalism in Europe.)
- Brenner,
Robert. Merchants and Revolution: Commercial Change, Political
Conflict, and London’s Overseas Traders, 1550–1653
